Louis Claude

French Polo II

1958

Art Sz: 15"H x 21"W Frame Sz: 25"H x 31"W Harper's Weekly colour plate from sketches by A.B. Frost depicting 'The Intercollegiate Regatta, Saratoga Lake, July 19, 1876- The Finish'

Art Sz: 15 1/4"H x 10 1/4"W Frame Sz: 23 1/2"H x 18"W Lithograph on faux wood grain paper w/ Haley & Steele Gallery Label on verso

Art Sz: 16 1/8"H x 25 7/8" Frame Sz: 24 1/4"H x 34"W w/ a custom burlwood maple frame & hunter green mat Published privately in 1982 for Theodore Gordon Flyfishers in a limited edi...

Art Sz: 15 3/4"H x 19 3/4"W Frame Sz: 25"H x 28 1/2"W Limited edition copy number 626/ 2400 Pencil signed LL by the artist Blindstamp LR: The Wildlife Legislative Fund of America Larry Hayden is a visual artist whose drawings and photographs reflect his fascination with his domestic environment and its feathered inhabitants. An ongoing series of photographs spanning nearly five years show him to be an animalier; his subject is his small flock of laying hens who share with him a picturesque 19th century Maine farm that once covered one hundred thirty acres, and whose Northern edge was the Presumpscot River. Now reduced to a bit less than one acre and surrounded by residential Portland, it is this little world that is the core subject of Larry’s work. His photographs; paintings; and drawings are in respected collections including the Portland Museum of Art; Bates College Art Museum; the Colby Museum of Art; The Farnsworth Museum; the Fine Art Collection of William and Hobart Smith Colleges, and the University of New England Art Gallery, as well as distinguished corporate, institutional, and private collections. Larry’s work has been included in many publications including Design Language, 2006, Tim McCreight, Brynmorgen Press; Abstract Art, Dean Nimmer...

Pour Travailler De La Rene Du Cavesfon Dedans La Volte Et De La Jambe Dumesme Cote Print Sz: 15 1/2"H x 20 3/4"W Frame Sz: 21 3/4"H x 26 3/4"W Theodor Van Kefsel Theodor or Théodorus van Kessel...

Art Sz: 10 5/8"H x 13 1/8" Frame Sz: 17 5/8"H x 20"W In eglomise mat Engraved by C.R. Stock

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

The 1958 original travel poster by Alain Gauthier for Royal Air Maroc encapsulates the essence of adventure and discovery synonymous with air travel to Morocco. With its bold typogra...

The 1962 original travel poster by Guy Georget for Air France transports viewers to the enchanting realm of India, inviting them to embark on a journey of discovery and cultural imme...

The original Soviet poster from 1968, "American Imperialism is a World Gendarme (War, Racism, Provocation...)," stands as a vivid example of Soviet propaganda agitation. This poster ...

Original lithograph by Poulbot of a scene from the first world war. This lithograph is numbered 36/50 and hand signed by the artist. Francisque Poulbot, born in Saint-Denis on Februa...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...