Lucio Muñoz

Lucio Muñoz Martinez Spanish Artist Original Hand Signed engraving 1983

1983

Author: Red Grooms (United States, 1937) Title: 'Brooklyn bridge bustle', 2002 Medium: Print. Technique: Lithograph on paper Size Image: 22 x 30 in. (55 x 76 cm.) Size Sheet: 27 x 3...

Fritz Scholder (United States, 1937-2005) 'Mask of the artist', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-005-000 Unframed

Fritz Scholder (United States, 1937-2005) 'Untitled 3', engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-009-000 Unframed

Ronaldo de Juan (Argentina, 1930-1989) 'Cuadrado naranja', 1983 engraving on paper 27.2 x 20.9 in. (69 x 53 cm.) Edition of 2 Unframed ID: JUA1360-005-000 Hand-signed by author

Ronaldo de Juan (Argentina, 1930-1989) 'Puerta morada', 1983 engraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 2 Unframed ID: JUA1360-004-000 Hand-signed by author

Ronaldo de Juan (Argentina, 1930-1989) 'Tríptico en color 2', 1983 engraving on paper 15 x 22.1 in. (38 x 56 cm.) ID: JUA1360-002-000 Unframed Hand-signed by author

Artist: James Coignard (French, 1925-2008) Title: "Espace - Ecriture (Space - Writing)" *Signed by Coignard in pencil lower right Year: 1983 Medium: Original Hand-Embellished Carboru...

Lauren Steinert Trace #7 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1037 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

Lauren Steinert Middle Seat Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2021 Size: 22 x 30 inches Edition: 5 Unique within the edition Signed by hand COA provided Ref.: 924802-1027 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

Lauren Steinert A Seat at the Table Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2021 Size: 22 x 30 inches Edition: 5 Unique within the edition Signed by hand COA provided Ref.: 924802-1029 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...

Lauren Steinert Trace #3 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1033 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...