Anish Kapoor

Anish Kapoor, Breathing Blue, 2020

2020

Jonas Wood, Large Shelf Still Life, Offset Lithograph, 2017 Offset lithograph. Excellent condition. The back of the print has the artist's name, title, date and exhibition on the reverse. 23 × 23 in (58.5 × 58.5 cm). Notes: Executed in 2017, this piece is from an edition of unknown size and is published on the occasion of Shio Kusaka...

Tracey Emin, Take This To The Stranger, Offset Lithograph Print, 2013 Offset lithograph printed in blue ink on pale blue paper Produced in an open edition in 2013, but now believed to be quite rare. Excellent condition (this artwork has never been framed or displayed). 11.42 x 8.27 in (29.0 x 21.0 cm) Released in 2013 and produced by Manchester International Festival and Manchester Art Gallery, in collaboration with Independent Curators International (ICI), New York. The event was initiated by curator Hans...

Richard Prince, The Greeting Card Jokes #3: Canada Dry, Foil-Stamped Print, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never f...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displaye...

Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011 As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). Signed and numbered by artist in ink on interior of card. From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

Mark Ryden The Gay 90's (Hand signed by Mark Ryden), 2013 Hardback monograph (hand signed by Mark Ryden) Boldy signed by Mark Ryden 12 1/4 × 9 1/4 × 1 inches This elegant hardback monograph with illustrated covers and no dust jacket, as issued, was signed by the artist for the present owner at the exhibition "Mark Ryden: Dodecahedron" at the Paul Kasmin Gallery on December 10, 2015. It makes an excellent gift! Publisher ‏ : ‎ Rizzoli; First Edition (April 16, 2013) Hardcover ‏ : ‎ 146 pages with color illustrations Publisher's blurb: Celebrated Pop Surrealist artist Mark Ryden’s newest body of work, presented in this book for the first time. Crowned "the high prince of Lowbrow," Mark Ryden has become a fixture of the contemporary alternative art movement. In his newest work, Mark Ryden: The Gay 90’s, the artist casts...

Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artit above the image of the sculpture 5 4/5 × 4 1/...

Eight Sculptural Ideas is an original lithograph realized by the British artist Henry Moore (Castleford, 1898 - Much Hadham, 1986). Hand-signed and...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Fabio Mauri (Rome, 1926 – Rome, 2009) was an italian artist, writer and dramatist. He was one of the main ital...

Artist: Robert Freimark – American (1922-2010) Title: Hawaiian Icon Date: 1991 Medium: Lithograph in 5 colors on Somerset paper Image size: 22 x 30 inc...

This monograph contains Nystuen's calculations, actually used by Barr to position his abstract tetrahedral sculpture within the earth. Placement of the sculpture vertices in Easter I...