Frank Benson

Study of Turnstones.

1928.

This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...

CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...

Fred Mershimer created "Above the Rush" in 2003 using mezzotint and aquatint printmaking techniques. The edition of 120 pieces is printed in color. It is signed, titled, and dated ...

NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...

According to Gesine Tosin, Richard Hamilton irritated contemporary critics in the 1970s with a series of works -- romantic images of flowers, still lifes and landscapes, interspersed with scatological motifs. "Once exhibited, the critics regarded the paintings as evidence either of a kinky sexual aberration or an early onset of senility." (Hamilton 1982, p.79. ) Trichromatic flower-piece is one of these works, which questioned the categories of high and low art through its appropriated imagery. In the words of Richard Hamilton: “The Shit and Flowers series was was inspired in a sense by Barcelona, walking on the Ramblas where thousands of postcards are displayed. (…) I bought three pictures of flowers. I took them back to Cadaqués and began to play about with them, at first by putting a little paint on the surface.” According to Andrew Kim Tyler: “Working at Atelier Crommelynck, Paris in 1973-4, Hamilton used a traditional still life subject, a bouquet of flowers, to pursue his interest in the combination of photographic images with planes of color and hand-drawn aspects, but subverting the image with addition of a large turd. Perversely he set out to produce by manual means an etching with the characteristics of a commercially made reproduction resulting in Trichromatic flower-piece.” In addition to the edition of Trichromatic Flower-piece, Hamilton printed...

Deux Contes: Le Centaure picador. Le Crépuscule d'un faune, 1947 Illustrated book with four drypoints and collotype reproductions of ornamental titles an...

A very good, richly-inked impression of this aquatint with scraping, burnishing and drypoint on Rives BFK. Initialed, dated and numbered 8/15 in pencil by Diebenkorn. Printed and pub...

Richly-inked and superb impression of this engraving and drypoint on cream wove paper. This is the eighth state (of 8). Signed, dated and numbered 28/100 in pencil by Bourgeois. Publ...

23 by Maki Yamamoto This print is created using mono print and drypoint technique on paper. Shipping is not included. See our shipping policies. Please contact us for shipping quot...