Harland Miller

Hate's Outta Date! (Blue)

2022

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

Archival digital print on wove paper. Edition 31/250. Printed by Coriander Press. Published by Chiswick House and Gardens. Signed and numbered by the artist.

30th Anniversary reprint edition of the exhibition poster for Warhol/Basquiat Paintings. Printed in 2015. Signed and numbered "153/300" in ink by Tony Shafrazi. Published by Tony Sha...

2 colour lithograph on Somerset Tub Sized Satin White 410gsm. Signed and dated by the artist, archival label on verso.

Murano, cast vase in translucent red glass. Includes original packaging and ply presentation box. Edition of 300. Produced in 2023. This work comes with a Certificate of Authenticity.

"Nola" Dark Orange to Light Orange Rain, AP. Screenprint on arches paper. Edition of 66 artist's proofs comprised of six different colour variants, published in 2008 by Pictures on...

Artist: Roy Lichtenstein Title: Reflections on Hair Portfolio: Reflections Medium: Lithograph, screenprint, relief and metalized PVC collage with embossing on mold-made Somerset pape...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blindstamped by Martin Lawrence Galleries. ...

"Moi je veux vivre monotone" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems...

This original screenprint in colours is hand signed in pencil “E. Ruscha” at the lower left sheet edge. It is dated “1973” next to the signature. It is also hand inscribed in pencil ‘Artist...