J. Hertz

La Chanson de l'Agneau que le Chat eu Mangé - by J.Hertz - XX century

Unknown

Hand signed. Edition of 75 prints. Bibliography: - G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incisioni e Litografie) 1919-1980, Edizioni Grap...

Portrait is an original etching artwork realized by Auguste Danse (1829-1929) in the late 19th Century, signed on the plate on the top left. Image dimension: 7.5 x 6 cm. The state ...

Spectators is an original etching artwork realized by Victor Mignot (1872-1944). The state of preservation is very good. The artwork represents, men and women spectators while wa...

Castle is an original lithograph realized by Denise Bonvallet-Philippon (1906-1994). Hand-signed on the lower margin. Image dimensions: 28.5x21.5 cm. Sheet dimension: 42 x 33cm. ...

Illustration for "Le Conte de Voltaire" (1925) is an original etching realized by the French artist Henri Farge (1884-1970). Artist proof of 2° state, hand...

Image dimensions: 50 x 36.5 cm. Dancer II is an original contemporary artwork realized by Marino Marini in 1977. Color etching and acquatint depicting a dancer. Edited by Graphis ...

Etching and aquatint in colours by Marino Marini From "Marino from Goethe", 1979/1980 90 x 62,8 cm Copy 10/125 Edition of 195 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Ha...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...

Maria Elena Vieira da Silva - The Man - Original Handsigned Etching 1974 Handsigned and numbered Edition of 100. Dimensions: 33 x 22 cm

Boldly colored floral motif color aquatint. Signed and numbered 48/300 in pencil by Braque.

An etching by Kiki Smith titled "Bat." Smith has used one of her animal/insect iconic figures for this etching on wove paper creating it close to life size and therefore causing the ...