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Danielle OrchardEarthly Demands /// Contemporary Figurative Nude Danielle Orchard Interior Dog2022
2022
About the Item
Artist: Danielle Orchard (American, 1985-)
Title: "Earthly Demands"
*Signed and numbered by Orchard in pencil lower left
Year: 2022
Medium: Original Archival Pigment Print on unbranded heavy white wove paper
Limited edition: AP 1/5, (an artist's proof aside from the standard edition of 50)
Printer: Unknown, New York? NY
Publisher: Art for Change, New York, NY
Sheet size: 26.13" x 17"
Image size: 24.07" x 14.88"
Condition: In mint condition
Notes:
Provenance: acquired directly from the publisher Art For Change, New York, NY. The image featured on this print is Orchard's 2022, 51.5" x 32", oil painting on linen "Earthly Demands". This painting was exhibited at her first Paris solo exhibition "Page Turner" at Perrotin Gallery, Paris, France from September 3 - October 8, 2022. Comes with its original Certificate of Authenticity issued directly from the publisher Art for Change, New York, NY.
Biography:
Danielle Orchard (born December 2, 1985) is a painter living and working in Brooklyn, New York. Orchard grew up in Fort Wayne, Indiana. She received her Bachelor of Fine Arts from Indiana University in 2009 and studied in Florence, Italy. She earned a Master of Fine Arts degree from CUNY Hunter College in 2013. Orchard is represented by Perrotin gallery in New York, NY.
Nodding to the great painters of the modern era including Picasso and Matisse, Orchard’s paintings often reference their styles and subject by portraying female nudes in a more abstract manner; the figures are portrayed in multi-perspectival Analytic Cubist style or abbreviated otherwise into solid contours and saturated colors. As she tackles depiction plane by plane, or each abstract part that she sculpts with thick impasto, Orchard is exploring the female corporeal representation. While the concept of female nude finds itself deeply ingrained in art history as a muse and more recently being established as a subject of study, Orchard adds depth by infusing her own experiences as a female artist, having trained, posed, and even taught in life drawing classes.
In narratives ranging from art historical tropes to contemporary leisure activities, the viewers can expect to find scenes of familiarity in Orchard’s work. By using popular motifs, Orchard eliminates the viewers’ guesswork in discerning the subject, directing their attention to her mode of expression instead. As the backgrounds or accompanying objects echo the body language of the women, depicted with muted emotions, the artist invites the viewers to empathize and contemplate on the interiority of the models.
- Creator:Danielle Orchard (1985, American)
- Creation Year:2022
- Dimensions:Height: 26.13 in (66.38 cm)Width: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121213841362
Danielle Orchard
Danielle Orchard (born December 2, 1985) is a painter living and working in Brooklyn, New York. Orchard grew up in Fort Wayne, Indiana. She received her Bachelor of Fine Arts from Indiana University in 2009 and studied in Florence, Italy. She earned a Master of Fine Arts degree from CUNY Hunter College in 2013. Orchard is represented by Perrotin gallery in New York, NY. Nodding to the great painters of the modern era including Picasso and Matisse, Orchard’s paintings often reference their styles and subject by portraying female nudes in a more abstract manner; the figures are portrayed in multi-perspectival Analytic Cubist style or abbreviated otherwise into solid contours and saturated colors. As she tackles depiction plane by plane, or each abstract part that she sculpts with thick impasto, Orchard is exploring the female corporeal representation. While the concept of female nude finds itself deeply ingrained in art history as a muse and more recently being established as a subject of study, Orchard adds depth by infusing her own experiences as a female artist, having trained, posed, and even taught in life drawing classes. In narratives ranging from art historical tropes to contemporary leisure activities, the viewers can expect to find scenes of familiarity in Orchard’s work. By using popular motifs, Orchard eliminates the viewers’ guesswork in discerning the subject, directing their attention to her mode of expression instead. As the backgrounds or accompanying objects echo the body language of the women, depicted with muted emotions, the artist invites the viewers to empathize and contemplate on the interiority of the models.
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