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Guillaume Cornelis van Beverloo (Corneille)Red Nude and Bird 1981 Signed Limited Edition Lithograph 1981
1981
About the Item
Guillaume Corneille
Red Nude and Bird 1981
Nu Rouge Á L'Oiseau
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and marked AP 25/25 ( Artist Proof )
As a co-founder of the famed experimental artist group CoBrA - one of the significant european art movements of the 20th century, Corneille (Guillaume van Beverloo) became a leading abstract expressionist painter and printmaker.
Corneille has been linked to Klee's idea of finding a single formula to comprise man, beast, plants, earth, fire, water and air. His works include certain recurring exotic symbolic forms from his foreign travels.
For Corneille the woman's body is a source of mystery and desire and he developed a dense visual vocabulary of icons and symbols that mirrored the many meanings that the woman held for him.
Since his first solo show in 1946, he has enjoyed more than 190 one-man shows and four museum retrospectives.
- Creator:Guillaume Cornelis van Beverloo (Corneille) (1922 - 2010, Dutch)
- Creation Year:1981
- Dimensions:Height: 25.5 in (64.77 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Rochester Hills, MI
- Reference Number:1stDibs: LU2335214064612
Guillaume Cornelis van Beverloo (Corneille)
Corneille was born in Liege, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art.[3] He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl].
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atalier. On 24 September 2003 an exhibition of his prints opened at the Ramat-Gan Museum of Art, Israel. He died at Auvers-sur-Oise, France.
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