Leonard Baskin

Torso, Nude Signed Etching by Leonard Baskin

1967

This abstract figure by feminist modern artist Joan Semmel is almost grotesque in its depiction of a nude body crouched on the floor. Their hands brace against the ground, shoulders ...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Finis le Paradis Jan Peter Tripp German (1945) Date: 1994 Etching, signed, numbered, dated, and titled in pencil Edition of 6/66 Image Size: 39 x 20 inches ...

The Journey to India Jan Peter Tripp German (1945) Date: 1986 Etching, signed, numbered, dated, and titled in pencil Edition of 46/300 Image Size: 15 x 18 inches Size: 21.5 x 24.5 in...

Artist: Reuben Nakian Title: Leda and the Swan - 7 Year: circa 1980 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: IV/XXV Image Size: 13.5 x 16.5 inches Siz...

An original hand-signed Dali etching framed in a museum white-gold leaf frame with silk matting and silver bevel. Artist: Salvador Dali Title: Thou art all faire, my love: there is no spot in thee from the Portfolio Song of Songs of Solomon...

Philip Martin Pearlstein (May 24, 1924 – December 17, 2022) was an American painter best known for Modernist Realist nudes. Cited by critics as the preeminent figure painter of the 1...

Ernst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

Polymer gravure etching. This piece is part of a limited edition of 250 prints. Produced in 2000. Signed and numbered in pencil by Tracey Emin.

Pablo Picasso- Personnages et Nu
 Medium: Etching on laid wove paper. Printer & Publisher: 
Printed by Jacques Frélaut, 1960 Published by Galerie Louise Leiris, 1960 Dimensions: 
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Carl Maria Plückebaum (1880 Düsseldorf - 1952 ibid.), Der Talismann (sog. Dukatenscheisser), partly colored etching, 11.5 x 8.5 cm (plate size), 26.5 x 20 cm (sheet size), signed by hand below the image on the right "C. Plückebaum" and inscribed by hand at lower left "Der Talismann". - left and right side of the sheet with browned stripes, otherwise good copy - The philosopher's stone - About the artist Here, Carl Plückebaum gives free rein to his anti-academic impulses and turns the subtle humor of his pictures into crudeness. Following Adrian Ostade's peasants as they go about their needy business, we see a cowardly fellow in a squatting position. His excrement, however, is not the organic remains of digestion, but - like the golden donkey in the Grimm fairy tale - ducats. However, they appear more brown than golden, which is emphasized by the discreet hand-coloring of the picture. The unattractive accumulation is countered by the blossoms decorating the crouching man's hat. Totally absorbed in his action, his activity is evident in the strained expression on his face, giving Plückebaum a whole new verisimilitude to the concept of naturalism. The title "The Talisman" then turns naturalism back to the miraculous, formulating in a humorous way that these legacies are also a "miracle of nature". About the artist Coming from a poor background, Carl Plückebaum, who had a walking disability and was of short stature, initially worked as a church restorer. He also took private drawing lessons. In 1901 he won the first prize of the Düsseldorf Museum of Decorative Arts, which enabled him to finance his studies at the Düsseldorf Academy. There he was a pupil of Eduard von Gebhardt and Peter Janssen the Elder, but began to doubt the academic teaching. In 1906 he took part in a group exhibition at the Städtische Kunsthalle Düsseldorf, which violated the academy's statutes and led to his dismissal. However, the extraordinary success with the public confirmed him as an artist and provided him with the financial means for a study trip to Italy. Enchanted by Florence, he retired to the Franciscan monastery of Fisole, where he worked as a fresco painter. Back in Düsseldorf, he turned increasingly to children's and animal drawings, and in 1907 he was a founding member of the Niederrhein Secessionist Artists' Group. In 1910 he travelled to Italy again, accompanied by his painter friends Walter Ophey and Carl Schmitz-Pleis, visiting Rome and Naples in particular. He then stayed in Munich to study the Old Masters at the Pinakothek. It was in the artistic circles of Schwabing that he met his future wife, the painter Meta Weber. In Düsseldorf, Carl and Meta Plückebaum...

Portfolio Metamorfosis I. Original 7 etching, one with collage, 1999. Edition of 25 signed and numbered impressions on Arches paper. The entire portfolio is for sale. Louise Bourgeoi...