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Style: Pre-Raphaelite
A Greek Idyll - Proof Etching by Robert Walker MacBeth after G F Watts
Located in London, GB
ROBERT WALKER MACBETH
(British 1848-1910)
After GEORGE FREDERIC WATTS
(British 1817-1904)
A Greek Idyll
Proof etching
Signed in pencil by both the artist l.l. and engraver l.r.
Framed
Plate size 42 by 54 cm., 16 ½ by 21 ¼ in.
(frame size 72.5 by 85 cm., 28 ½ by 33 ½ in.)
After Watt’s 1894 painting...
Category
Early 1900s Pre-Raphaelite Nude Prints
Materials
Etching
In the Wood
Located in Fairlawn, OH
Etching, 1920
Signed in pencil
Edition: 110 examples
Very fine condition
Provenance: Colnaghi, London (stock numbers on reverse)
The artist'w widow, Dorette, 1998
This image is influenced by English Pre-Raphaelite artists. Brockhurst was a close friend of the painter Augustus...
Category
1920s Pre-Raphaelite Nude Prints
Materials
Etching
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By André Derain
Located in Surfside, FL
This lot is for one etching.
---
Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian.
At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete.
After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs.
The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio.
During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker. Derain's presence in Germany was used effectively by Nazi propaganda...
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Title: "Confidences"
*Signed by Fuchs in pencil lower right. It is also signed in the plate (printed signature) lower left
Circa: 1920
Medium: Original Drypoint Etching on unbranded white wove paper
Limited edition: Unknown
Printer: the artist Fuchs himself, New York?, NY
Publisher: likely the artist Fuchs himself, New York?, NY
Sheet size: 7" x 8.5"
Image size: 5" x 7"
Condition: Never framed, has been professionally stored away for decades. Presently tipped into an archival storage mat. In mint condition
Extremely rare. Lovely work
Notes:
Various pencil inscriptions at bottom in margins including the title. "Imp" pencil inscribed by Fuchs after his signature denoting he was the printer of this work. There is an example of this very same work within the permanent collection of the Metropolitan Museum of Art, New York, NY. The MET specifies their example was acquired as a gift directly from the artist Emil Fuchs himself in 1931.
Biography:
Emil Fuchs, MVO, (9 August 1866 – 13 January 1929) was an Austrian and American sculptor, medallist, painter, and author who worked in Vienna, London and New York. He painted portraits of Queen Victoria and Edward VII and was fashionable among London high society in the early 20th century.
He was born in Vienna on 9 August 1866. During his years in Austria, Germany and Rome he was a sculptor and medallist who eventually began to study painting as well. He studied at the Academy of Fine Arts Vienna under Edmund von Hellmer and Viktor Oskar Tilgner. He then attended the Prussian Academy of Arts in Berlin where he studied under Fritz Schaper and Anton von Werner...
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---
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By Louis Jou
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Monogrammed on the lower.
Good conditions with some foxing.
Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...
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H 12.21 in W 8.27 in D 0.04 in
Pre-raphaelite nude prints for sale on 1stDibs.
Find a wide variety of authentic Pre-Raphaelite nude prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including and Gerald Leslie Brockhurst. Frequently made by artists working with and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Pre-Raphaelite nude prints, so small editions measuring 5.88 inches across are also available. Prices for nude prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $1,784, while the average work sells for $1,167.