Giovanni Francesco Barbieri (Il Guercino)

Moses with Staff Portrait Print after Guercino (1591-1666)

1700s

“O-hya-wa-mince-kee. A Chippewa Chief.” [Yellow Thunder.] From McKenney & Hall’s History of the Indian Tribes of North America. Philadelphia: Rice & Clark, 1843. Folio: image ca. 15 x 12. Lithograph. Original hand color. Very good condition. The McKenney & Hall lithographs of Native Americans The McKenney & Hall prints of Native Americans, from their History of the Indian Tribes of North America (1837-1844), document an important part of American history, illustrating the great leaders of the Indian nations which have disappeared since the mid-nineteenth century. Thomas McKenney, head of the United States Bureau of Indian Affairs for many years, was a champion of the Indian and fought throughout his tenure to preserve something of their culture, so integral a part of the history of the United States. His legacy was a gallery of portraits of the great chiefs by artists such as James Otto Lewis, Charles Bird King and George Cooke...

Old Masters Print of Music Teachers after Franceso Barbieri called Guercino (1591-1666). This 13 x 21 inch etching is titled The Music Teachers after Franceso Barbieri called Guercino (1591-1666) Measurements: 13"x21". Susquehanna Antique Company...

Priced for the group of three. You can frame them. margins clipped I assume 9" x 6.25"

Mark on left seems rubbed, light foxing--see title and look it up as a Redoute image.

Ink Drawing of a Man Courting A Woman Signed by B. Koller dated 1796. This 18th Century Ink Drawing of a Man Courting A Woman is Signed by the Swiss artist B. Koller and dated 1796. This is an oval shaped drawing of a couple in a landscape. This antique ink drawing...

Fine quality ink drawing fully signed and dated although I cannot break the signature. I put it in a custom frame. Ink on toned paper.

Female Portraits is an original artwork realized after Annibale Carracci (Bologna, 1560 - Roma, 1609). Etching on paper. Good conditions. The print is signed "Anib. Carrache in." in the bottom left corner while "De Poilly...

The present artwork is an original etching by American artist Leonard Baskin. Here, he presents a portrait of the Flemish Renaissance artist Peter Breughel the Elder in profile, executed after the engraving by Johannes Wierix published in 1572 by Volcxken Diericx and Hieronymus Cock. In the portrait, Baskin displays a love of line and texture, using the etching technique to exaggerate and draw attention to the wrinkles of the face, while leaving the hair and clothing like a study or sketch. Like in the work of contemporary artist Claude Weisbuch, the result for Baskin is an image that recalls the old masters and displays the mastery of contemporary printmakers, but that also places mid-century formal concerns at the forefront of portraiture and figuration. etching in black in on Rives paper 17.5 x 17.5 inches, plate 29.75 x 22 inches, sheet 33.5 x 25.88 inches, frame Entitled "Breughel" in pencil, lower left Edition 9/50 in pencil, lower center Signed in pencil, lower right "PB" in the plate, upper left "PB" in the plate, upper right (faint) Label for Irving Galleries, Milwaukee on reverse Label for David Barnett Gallery on reverse Framed behind glass in a distressed cassetta-style moulding Artwork in overall good condition; general toning to the paper; some scattered foxing; frame in good condition with some losses to finished surface revealing white ground Born in 1922 in New Brunswick, New Jersey, Baskin was reared in Brooklyn, New York. The son of a Rabbi, Baskin was educated at a yeshiva (Jewish religious college), which had a profound effect on his aesthetic. Committed to art at an early age, Baskin had his first exhibition. of sculpture, at the Glickman Studio Gallery, New York, at the age of seventeen. He studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. Baskin spent 1950 and 1951 abroad, studying in Paris and Florence. In 1953 he began teaching printmaking and sculpture at Smith College in Northampton, Massachusetts, where he remained until 1974. It was while he was at Smith College that he founded Gehenna Press, a small private press specializing in fine book production. He moved to England in 1974 and stayed till 1983 when he returned to America.. These nine years were enormously productive and besides sculptures he created a fine selection of prints and paintings. Baskin became intrigued by Greek history, philosophy and mythology at an early age and this study inspired many of his sculptures and paintings. Other influences were early 20th century sculptors, notably Ernst Barlach Leonard Baskin was one of the universal artists of the 20th century. He was a sculptor of renown. He was a writer and illustrator of books ranging from the bible to children's' stories and natural history. He was a talented water-colourist and a superb, prolific print-maker. His prints ranged from woodcuts through lithography and etching; his subjects covered portraits...

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...

Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...

Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...

Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800. Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...