Skip to main content
Want more images or videos?
Request additional images or videos from the seller

James Jacques Joseph Tissot
Le banc de jardin (The Garden Bench).

1883

About the Item

Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (sheet 21 1/2 x 28 1/2). Edition about 500 in three states. Printed in brown / black ink on chine appliqué (China paper mounted on stiff wove paper). Signed and titled in the plate. Housed in a silk mat with a gold liner in a 31 1/2 x 36 1/2 x 2-inch burled burled wood frame. This is the mezzotint version of a painting of the same title. The models for the composition were Kathleen Newton, her daughter Violet, her niece Belle, and her son Cecil, seated on a bench in Tissot’s garden in St. John's Wood, London. The stylization of the figures, both in pose and in grouping is a highlight of Tissot’s later style. Le Banc Jardin is one of a small group of mezzotint studies that Tissot made in England between 1883 and 1885. It is characteristic of his facility as a printmaker that his first plate in an extremely difficult medium should be so brilliantly conceived and executed. The quality of inner glowing light and the richness in the combination of blacks and the pattern highlights are striking. The contrast of textures -- the fur rug, the silk of the dresses, and the foliage beyond -- are a tour-de-force of printmaking. Tissot learned the rudiments of printmaking in the 1860s, greatly influenced by Whistler, whom he met in 1859, as well as Degas, Legros and Seymour Haden. Tissot's most productive period as an etcher was during his English period (1871-1882) when he was settled in London as a consequence of being branded a communard after the Franco-Prussian War. The subject-matter of Tissot's eighty-eight etchings often relates closely to that of his paintings, chronicling the elegant, leisured life of his epoch. Unlike the work of Whistler and Degas, for example, Tissot's etchings were always intended as accurate and finished transcriptions of his paintings rather than as experimental works in an alternative medium. As Michael Justin Wentworth, author of the catalogue raisonne of Tissot's prints, has written: "Tissot was conservative and always kept the finish expected at the Salon and the Academy…But in the iconography and the troubled psychology of his pictures he comes into his own". After the death of Tissot's London mistress and muse, Mrs Newton, the artist ceased to etch and returned to France.
More From This SellerView All
  • On the Roof Garden
    By Christopher R. W. Nevinson
    Located in Storrs, CT
    On the Roof Garden. 1919. Mezzotint. Leicester Galleries 53, Guichard 32. 8 1/4 x 4 5/8. Edition 50. New York set. A richly inked impression printed on laid...
    Category

    1910s Futurist Portrait Prints

    Materials

    Mezzotint

  • Robert Ker Porter
    By Robert Ker Porter
    Located in Storrs, CT
    Mezzotint after the painting by Robert Ker Porter (1777-1842). 25 1/4 x 17 (plate). Text: 'Robert Ker Porter pinx.t. W.Say sculp.t. London Published as the Act directs, June 19 1802, by John P. Thompson, Printseller to his Majesty and their Royal Highness's the Duke and Duchess of York...
    Category

    Early 19th Century Victorian Portrait Prints

    Materials

    Mezzotint

  • Orpheus and Eurydice
    By Sir Frank Short
    Located in Storrs, CT
    Orpheus and Eurydice (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). The painting is on the right. 1889. Mezzotint. Hardie 54.12 5/8 x ...
    Category

    Late 19th Century Victorian Portrait Prints

    Materials

    18k Gold

  • Love and Death.
    By Sir Frank Short
    Located in Storrs, CT
    Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...
    Category

    Early 1900s Victorian Figurative Prints

    Materials

    Mezzotint

  • Dans les Cendres (In the embers)
    By Albert Besnard
    Located in Storrs, CT
    Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
    Category

    Late 19th Century Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
    By Mary Cassatt
    Located in Storrs, CT
    Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Drypoint, Watercolor

You May Also Like
  • Argentinian Modern Art by Antonio Seguí - La Maîtresse et son Chien
    By Antonio Seguí
    Located in Paris, IDF
    La Maîtresse et son Chien 2018 Carborundum printmaking on papier Mâché, ed. 11/30 45,5 x 31,5 cm & image with the scene 32 x 25 cm Sold with a white frame Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hubert Mesibov, Michael J. Gallagher, and Dox Thrash...
    Category

    2010s Contemporary Portrait Prints

    Materials

    Papier Mâché, Mezzotint, Etching

  • Portrait of a Gentlewoman - Colored and Mezzotint - 18th Century
    Located in Roma, IT
    Portrait of a Gentlewoman is an original print on paper realized by Anonymous English artist in the late 18th Century. The artwork represents a portrait of an elegant woman. Mixed ...
    Category

    Early 1800s Figurative Prints

    Materials

    Mezzotint, Etching

  • Washington and His Family by William Sartain 1884 framed
    By William Sartain
    Located in Paonia, CO
    Washington and His Family published in Philadelphia in 1884 by Bradlee & Co. This impressive mezzotint was engraved by William Sartain after a painting by the well-known Philadelphia artist Christian...
    Category

    1880s Other Art Style Portrait Prints

    Materials

    Mezzotint

  • Charles Lee Esq.
    Located in Boston, MA
    Chaloner Smith (Engraver not ascertained, Class III) 9. Published by C. Shepherd, Oct. 31, 1775 London. Inscribed in plate lower center: "Charles Lee, Efq. / Major General of the Con...
    Category

    Late 18th Century Realist Portrait Prints

    Materials

    Mezzotint

  • Settling II Homage to the Mezzotint (Self Portrait of Artist with his Tools)
    By Francisco Souto
    Located in New Orleans, LA
    Francisco Souto has created his self portrait working on the plate of a mezzotint. This is impression #14 from an edition of only 23. Souto received a BFA from Herron School of Art ...
    Category

    Early 2000s American Modern Portrait Prints

    Materials

    Mezzotint

  • Rondo
    By Jorge Alberto Mateos Suarez
    Located in Palm Springs, CA
    Signed and titled artist proof. Mezzotint portrait of a musician playing a baritone. Suarez is from Mexico, and exhibits internationally, winning awards for his evocative mezzotint...
    Category

    2010s Contemporary Portrait Prints

    Materials

    Mezzotint

Recently Viewed

View All