John Chamberlain

Poster of Abstract Expressionist sculptor John Chamberlain Hand Signed by artist

1988

Julian Schnabel Lincoln Center 25 Years (Hand signed and inscribed), 1984 Offset lithograph. Signed and inscribed to Kevin by Julian Schnabel 60 × 40 inches Signed and inscribed on the front Unframed Julian Schnabel signed and inscribed this 1984 poster...

JIM DINE This is How I Remember Now (Hand Signed), 2008 Offset Lithograph Poster for exhibition of photographs by Jim Dine 32 × 24 inches Signed boldly in white marker by Jim Dine on the front Unframed Published by: Det Kongelige Bibliotek, Denmark Provenance: Jim Dine personally signed it for the present owner in 2012 at a special poetry reading that the artist gave at the Dia Art Foundation. Extremely rare when hand signed! This poster was produced in conjunction with a 2008 German exhibition of Jim Dine's photographs. Jim Dine personally signed it for the present owner in 2012 at a poetry reading that the artist gave at the Dia Art Foundation, so provenance is direct and impeccable. The text on the poster reads "This Is How I Remember Now Portraits", with a portrait of the artist juxtaposed in the background - and is perhaps as a commentary on the elusiveness of memory in life, art and photography. The poster is accompanied by a copy of the flyer publicizing the event where Jim Dine signed...

David Hockney New Work With A Camera (Hand Signed), 1983 Offset Lithograph Poster Hand signed by the artist on lower right front 39 × 24 1/2 inches Unframed This offset lithograph p...

KAWS Kaws Tokyo First mini poster, 2001 Offset lithograph poster 11 3/4 × 8 1/4 inches Unframed; unsigned In 1996, Brian Donnelly, now known by his moniker...

Christo Wrapped Magazines (Revues Empaquetees), Hand Signed, 1991 Offset lithograph postcard (hand signed by Christo) 5 4/5 × 4 1/5 inches Signed in ink by Christo on the image Unfra...

Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

Inspired by a banner carried by young female textile workers in Lawrence, Massachusettes, James Oppenheim penned the 1912 poem “Bread and Roses”. The b...

NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...

MERRY COMPANY III is an original hand drawn stone lithograph by the American abstract painter Knox Martin. Hand printed from a lithography stone in rich ...

This print shows two animal-like figures with horns embracing one another. The two white figures sit together on a bright blue and red seat that contrasts with the patterned ground. ...

FACE TO FACE is an original hand drawn stone lithograph by the American abstract painter Knox Martin. Printed from a lithography stone in rich black ink on archival Arches printmakin...

ALL THE PEOPLE is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. ALL THE PEOPLE is graphic composition comprised of a brilliant multi color rainbow across the bottom of the image with a centered, rose beige textured circle filled with simple black line drawings of men, women, and children's faces, a blue sky like area on top consists of textural effects obtained from Japanese rice paper. This impressive composition by the master print maker and sculptor, Elizabeth Catlett is from the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "For my people standing staring trying to fashion a better way from confusion, from hypocrisy and misunderstanding, trying to fashion a world that will hold all the people, all the faces, all the adams and eves and their countless generations;" - Stanza from the poem FOR MY PEOPLE by Margaret Walker Print size 23” x 19”, Edition size 99, unframed color lithograph on archival Arches paper, 100% acid free, Edition printed using traditional hand lithography methods by J.K. Fine Art Editions Co, NJ. Published in 1992 by the Limited Editions Club, NY. About the artist - Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University (B.S., 1935), where she studied design, printmaking, and drawing and was influenced by the art theories of Alain Locke and James A...