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John George BrownOld Violinist - Late 19th Century Figurative Lithograph1879
1879
About the Item
Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W.
John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904.
Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.).
Brown’s art is best characterized as British genre painting adapted to American subjects. He was one the most successful genre painters of the late 19th century.
- Creator:John George Brown (1831-1913, American)
- Creation Year:1879
- Dimensions:Height: 23.5 in (59.69 cm)Width: 19 in (48.26 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Art, excellent. Rustic antique wood frame. Age toning to mat board.
- Gallery Location:Soquel, CA
- Reference Number:
John George Brown
John George Brown was born in 1831 near Durham, England. At fourteen he began a seven-year apprenticeship as a glass-cutter in Newcastle-on-Tyne, studying at night with William Bell Scott at the School of Design. From 1852 to 18253 he worked at the Holyrood Glass Works, Edinburgh, studying evenings at the Trustees Academy with Robert Scott Lauder. In 1853 Brown spent the summer in London where he painted a few portraits before emigrating to the United States that fall. He settled in Brooklyn finding work at the Brooklyn Flint Glass Company. During this time he attended the free classes offered at the Graham Art School and later studied under Thomas Seir Cummings at the National Academy of Design. In 1855, Brown opened a studio as a portrait painter. Brown received the support of the art dealer, Samuel S. P. Avery, and John H. Sherwood, collector and builder of the Sherwood Studio Building in 1880, who encouraged his turning from portraits to children as subjects. In 1859 Brown was one of the founding members of the Brooklyn Art Society and in 1861 a founding member of the Brooklyn Art Association. He moved to New York in 1861 finding quarters in the Tenth Street Studio Building where he maintained a studio for the rest of his life. Brown began in 1858 to exhibit at the National Academy, a practice he continued every year, except 1871, until his death. He was elected an associate of the Academy in 1861, full member in 1863, and served as its vice-president from 1899-1904. After turning to genre scenes of the street children of New York City in the 1860s, he soon became famous and wealthy. Brown copyrighted many of his paintings that were often reproduced commercially as chromolithographs or photographic reproductions. In 1867 he was elected one of the original members of the American Watercolor Society and was its president from 1887-1904. Brown and the art dealer, John Snedecor, travelled to Europe in 1870, visiting both London and Paris. During the summer months, he often explored the rural areas of New York and Vermont, as well as Grand Manan Island in the Bay of Fundy.
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