Items Similar to Qua-Ta-Wa-Pea, A Shawnee: 19th C. Folio Hand-colored McKenney & Hall Lithograph
Want more images or videos?
Request additional images or videos from the seller
1 of 9
McKenney & HallQua-Ta-Wa-Pea, A Shawnee: 19th C. Folio Hand-colored McKenney & Hall Lithograph1836
1836
About the Item
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Qua-Ta-Wa-Pea, A Shawanoe Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1836. Quatawapea wears a maroon head covering, a white ruffled shirt and blue shawl with gray trim. His presidential peace medal is attached to a maroon fabric necklace.
Quatawapea (c. 1760-1826), also known as Black Hoof and as John Lewis, Captain Lewis, Colonel Lewis and '''Captain Johnny''', was a Shawnee leader for whom Lewistown, Ohio was named. He was a prominent Shawnee chief who lived in the late 18th and early 19th centuries. He was born in the Ohio Country in the mid-1700s and rose to become one of the most influential leaders of the Shawnee tribe. Quatawapea was known for his strategic thinking and his ability to negotiate with both Native American and white leaders. Lewis served in the War of 1812 as an American ally. After the war, he signed a number of treaties with the U.S., eventually getting Lewistown recognized as an Indian reservation for his band of Shawnees, along with Senecas also living at Lewistown. Lewis made several trips to Washington, D.C. to meet with U.S. officials, including Presidents Thomas Jefferson and James Monroe, to promote Shawnee land rights. He was a strong advocate for peace and cooperation between the Shawnee and the United States, and he worked tirelessly to try to maintain a peaceful coexistence between the two groups. However, as tensions between the Shawnee and the United States grew in the late 1700s and early 1800s, Quatawapea's influence began to wane. He was accused by some Shawnee of being too willing to negotiate with the United States, and his attempts to maintain peace were ultimately unsuccessful. Despite these challenges, Quatawapea remained a respected leader among the Shawnee until his death in 1831. His legacy as a skilled negotiator and advocate for peace continues to be remembered today.
This original McKenney and Hall folio-sized beautifully hand-colored lithograph is printed on a sheet measuring 20" high and 14.5" wide. There is minimal very faint spotting, but the print is otherwise in very good condition. The original biographical text pages, 81-82, from McKenney & Hall's 19th century publication are included. They can be mounted in a mylar sleeve on the back of a frame for preservation and viewing.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs under four presidents, Madison, Monroe, Adams and Jackson from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. The McKenney and Hall lithographs were intended to serve as a record of the diverse cultures and traditions of Native American tribes in the United States.
The larger folio-sized and smaller octavo-sized hand painted lithographs remain prized by collectors and institutions, many of which are held by major museums, including the Library of Congress and the Smithsonian Institute.
- Creator:
- Creation Year:1836
- Dimensions:Height: 20 in (50.8 cm)Width: 14.5 in (36.83 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:
McKenney & Hall
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2011
1stDibs seller since 2019
233 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Alamo, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Tah-Col-O-Quoit: Original 19th Century Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Kish-Ke-Kosh, Fox Brave: Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Tah-Ro-Hon, An Ioway Warrior: Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
You May Also Like
- Edmund from Men in the CitiesBy Robert LongoLocated in Miami, FLHand signed in pencil and dated '85 lower right corner with edition number in lower left corner. Published by Brooke Alexander Editions, New York. This is AP 2/10 and the edition is 38.Category
1980s Contemporary Portrait Prints
MaterialsLithograph
- Reflections on HairBy Roy LichtensteinLocated in Washington, DCArtist: Roy Lichtenstein Title: Reflections on Hair Portfolio: Reflections Medium: Lithograph, screenprint, relief and metalized PVC collage with embossing on mold-made Somerset pape...Category
1990s Pop Art Portrait Prints
MaterialsPVC, Lithograph, Screen
- FilletteBy Henri MatisseLocated in London, GBLithograph on vellum paper, Edition of 25 Paper size: 33 x 26.5 cms (13 x 10 1/2 ins) Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)Category
1940s Impressionist Portrait Prints
MaterialsLithograph
- Intérieur, la lectureBy Henri MatisseLocated in London, GBLithograph on Chine paper, Edition of 50 Paper size: 39 x 31 cms (15.4 x 12.2 ins) Image size: 27.2 x 19 cms (11 5/8 x 7 1/2 ins)Category
1920s Impressionist Portrait Prints
MaterialsLithograph
- Mick Jagger X - Andy Warhol, Announcement card, Rolling Stones, Musician, PopBy (after) Andy WarholLocated in Knowle Lane, CranleighMick Jagger X - After Andy Warhol. This black and white colour scheme lithographic print features - Mick Jagger - an iconic rock legend who was the frontman and one of the founders ...Category
1970s Pop Art Portrait Prints
MaterialsLithograph
- Andy Warhol, Jagger Announcement cards SET OF 10, Rolling Stones, Musician, PopBy (after) Andy WarholLocated in Knowle Lane, CranleighAfter Andy Warhol. These lithographic prints feature an image of Mick Jagger - an iconic rock legend and the lead singer of the Rolling Stones. These unsigned postcard sized prints ...Category
1970s Pop Art Portrait Prints
MaterialsColor, Lithograph
