Rembrandt van Rijn

THE ARTISTS MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH

1631

Original etching printed in black ink on laid paper bearing a “Foolscap with Five-Pointed Collar” watermark (Ash/Fletcher 19.I.b; Hinterding 2006 I.a.a). Signed in the plate with ...

Original etching printed in black ink on wove paper bearing the Arches script watermark. Signed and dated in the plate lower left Matisse / 45 A fine impression of the definitive state, from the edition of 25 stamp numbered in the margin lower right, (there was one trial proof and six artist’s proofs printed at the same time in 1966), also bearing the artist’s monogram stamp in the margin lower right. Catalog: Duthuit-Matisse 268; Fribourg 344; Duthuit Illustrated Books 12. 13 15/16 x 10 15/16 inches Sheet Size: 20 7/8 x 15 3/4 inches In excellent condition, printed on a sheet with full margins. This etching was commissioned by Marguerite and Jacques Maret, founders of the bibliographic society Le Gerbier, Paris, in 1945 to be part of an album titled Alternance which was comprised of sixteen etchings by Jean-Emilé Laboureur, Edouard Goerg, Jean Cocteau, Marie Laurencin, André Lhote, Hermine David, H. de Waroquier, Jacques Villon, Valentine Hugo...

Original lithograph printed in olive-green ink on wove paper. Signed on the stone with the artists monogram device lower right. A fine, impression of Wittrock and Adriani’s on...

A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...

Original engraving printed in black ink on laid paper. Dated and signed with the artist’s monogram on a tablet lower left. A superb, richly inked 16th century/lifetime Meder “a” (o...

Original etching printed in black ink on laid paper. Signed and dated in the plate lower left Rembrandt f. 1642. A fine 18th century impression of Bartsch and New Hollstein’s secon...

Original Self-Portrait Etching by Rembrandt van Rijn (1606-1669) Etching on paper 2 ⅛ x 1 ¾ inches unframed (5.4102 x 4.445 cm) 14 ⅛ x 12 ½ inches framed (35.8902 x 31.75 cm) Description: Rembrandt van Rijn is one of the most celebrated Dutch painters of all time, and rose to prominence in the 17th century for his characteristic use of light and contrast to convey emotion and mood. Much of his artistic practice consisted of history paintings, portraits, and self-portraits, with his rich oil paintings...

Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 

Artist: After Hans Holbein the Younger (German 1497-1543). Title: King Henry VIII of England. Limited Edition of 100. Medium: Giclée Fine Art Print on Ilford Galerie Textured Cotton Rag 310gsm paper. Sheet Size: Height 52.7 cm x Width 42 cm. About: Hans Holbein the Younger was born in Augsburg Germany in 1497, a painter and printer working in the Northern Renaissance style. Considered one of the pre-eminent portrait painters of the 16th century In 1526 Holbein travelled to England and quickly build a reputation as a fine portraitist. He then spent four years in Basel returning to England in 1532 to work for Anne Boleyn and Thomas Cromwell...

Artist: After Hans Holbein the Younger (German 1497-1543). Title: King Henry VIII of England. Limited Edition of 25. Medium: Fine Art High Definition Fusion Metal Print. Edition: Limited Edition of 25 Prints Image Size: Height 35.6 cm x Width 28 cm. Framed Size: Height 44.7 cm x Width 37 cm. About: Hans Holbein the Younger was born in Augsburg Germany in 1497, a painter and printer working in the Northern Renaissance style. Considered one of the pre-eminent portrait painters of the 16th century In 1526 Holbein travelled to England and quickly build a reputation as a fine portraitist. He then spent four years in Basel returning to England in 1532 to work for Anne Boleyn and Thomas Cromwell...

This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...

This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king . This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included. Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...