Unknown

After A Bust by J. Nollekins, 19th Century Mezzotint of The Marquess Wellesley

1820

A scarce mezzotint engraved by James Watson published in May,1778. Proof before title; the image has maintained is rich dark tonality. John Hely-Hutchinson (1724-1794) was a politician, lawyer and Provost of Trinity College, Dublin. Born in Gortroe, County Cork in 1724, he graduated from Trinity College in 1744, and swiftly built up a good practice at the Bar. From 1760 until his death he represented Cork in Parliament. Promotion to the post of Prime Serjeant followed in 1761 and on most issues he supported the Government, and acquired several lucrative offices. His appointment as Provost of Trinity as a married layman who had not been a Fellow was a continued source of friction as the Fellows resented the imposition of what they perceived as a career politician with no pretensions to scholarship. He was sympathetic to Catholic Emancipation...

A late nineteenth century polychrome painted panel, depicting a foliate and ornithological arabesque upon a white ground. Oil on panel, set within an ebonised frame.

Henry Pickering, Portrait of a Gentleman Oil on canvas; signed and dated 1759; held in a giltwood period frame Provenance: Lenygon & Morant Ltd. c.1900; Knoedler, October 1912 (Sto...

Mather Brown (1761-1831) Portrait of Major-General John Robinson (1757-1819) Oil on canvas; held in a period giltwood frame Provenance: Denston Hall, Suffolk and by descent Literature: Suffolk Portraits, mss by Edmund Farrer, 1921. Vol. 5 (West Supp), entry 230, no.4 – NPG Heinz archive. John Robinson was a third generation professional soldier, whose father was a Lt.-Colonel. He joined the army in 1773 and was Captain by the time he married Rebecca Clive, daughter of “Clive of India” in March 1782. This family connection helped him immeasurably in his political ambitions as a seat in Parliament became available whilst his brother-in-law Edward, Lord Clive was in India. The portrait presented here was completed around 1805 when Robinson was a Major-General. This is confirmed by evidence that surrounds an incomplete portrait by George Romney of his late wife Rebecca. Unfinished at the time of Romney’s death, the painting remained unpaid for and unclaimed. On 25th March 1805, William Saunders, a framer, who had been looking after the work wrote to the artist’s son John Romney...

Attributed to Johann Heinrich Schröder (1757-1812) Hebe and Ganymede circa1800 A pair of pastels on paper; held in ebonised frames The German artist, Johann Heinrich Schröder was born in Meining in 1757 and studied at the Academy of Painting and Sculpture in Kassel under Johann Heinrich-Tischbein (1722-1789). He undertook study tours to England and the Netherlands where he portrayed members of the royal families and on his return to Germany was quickly employed by various courts, becoming the favoured royal portraitist of the Duke of Brunswick. He worked mainly in pastels – producing lively, colourful images – and was the best German artist of his time using this technique. Though not typical for the artist, these mythological figurative works exhibit very similar qualities that make it likely that they are by him, or at the very least, an extremely talented colleague working closely in his circle. Many slightly different versions of the classical myth exist but in essence the pastels simply depict both Hebe and Ganymede as cup-bearers to the Gods: Hebe, the daughter of Juno, and goddess of youth, vacated this position on becoming the wife of Hercules or possibly was dismissed as a consequence of a fall she met with when in attendance on the gods. Her successor was Ganymede, a Trojan boy, whom Jupiter, in the disguise of an eagle, seized and carried off from the midst of his play-fellows on Mount...

Charles Jervas (1675-1739) Portrait of Joseph Mellish (1675-1733) Oil on canvas; held in a carved period frame Dimensions refer to size of frame. Provenance: Blyth Hall, Nottinghamshire, England; by descent to Sir Andrew Buchanan of Hodsock Priory, Nottinghamshire In 1635 John Mellish, a merchant tailor of London, bought the estate of Blyth in Nottinghamshire. His son, a wealthy Oporto merchant, dying unmarried, left Blyth in 1703 to a cousin, Joseph Mellish, who became one of Newcastle’s earliest and most important political supporters in the county. He went up to Clare College, Cambridge in 1692 and on to the Inner Temple the following year. He married Dorothea Gore, daughter of Sir William Gore...

THE GAMESTERS and THE FORTUNE TELLER. A wonderful pair of color printed mezzotint engravings after paintings by the Rev. Matthew William Peters, R....

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

'Thomas Hearne' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Thomas Hearne (1744-1817...

Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London. 300mm by 208mm (sheet).

'Benj. West RA' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Benjamin West PRA (1738 – 1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...