Scott Campbell

Not Your Bitch

2011

Triptych

David Hockney Spilt Ink with Tests, 2019 signed in pencil and dated ‘19 art edition (1-100): 11-colour inkjet print on cotton-fiber archival paper book: hardcover, 2 volumes in a cla...

Zao Wou Ki À la Gloire de l'Image et Art Poétique (Ågerup 271-285), 1976 with the artist’s printed signature and date The portfolio, comprising 15 lithographs printed in colours on A...

Grayson Perry The American Dream (Orange/Black), 2021 colour etching from three plates on one sheet, special colour version 109.6 x 239.8 cm edition of 7

Grayson Perry The American Dream (Mauve/Blue), 2021 colour etching from three plates on one sheet, special colour version 109.6 x 239.8 cm edition of 7

DAVID HOCKNEY (B. 1937) Contrejour in the French Style etching and aquatint in colours, 1974, on wove paper, signed and dated in pencil, numbered 26/75 (there were also 18 artist's p...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

“Tabula Asiae IX Pakistan, Afghanistan, E. Iran” Girolamo Ruscelli (1504 – 1566) Venice, 1561 V. Valgrisi. publisher Copper Engraving with Later Hand-Color Born in Viterbo, Italy, Ruscelli was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. He is well known for his exacting revision of Ptolemy's Geographia. He was influenced by the 1548 Gastaldi edition. The work was illustrated with 64 double page engraved maps. Twenty-seven were Ptolemaic and thirty-seven were considered “modern maps”. These showed early glimpses of North and South America...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed in Colours. Hand-Painted Gold Highlights. To produce a study for an historic illumination of antiphonals, the Arundel Society selected each of the alphabet letters from chorale books created in the fifteenth and sixteenth centuries. Devotional pieces, the chorale music was greatly appreciated by Christians throughout the world. Often it was sung as responsive music where the choir would be divided into two parts thus creating a harmony which reinforced the Christian religious doctrine. As illustrious as the music, the key letters that headed each piece would take their own place in the art world. Many initials would be specifically devoted to prominent men and woman of both religious and cultural importance. For example, the “F” was devoted to Fra Angelico, an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

George-Louis Leclerec, Comte de Buffon. HistoireNaturell, Generale et Particuliere avec la Description du Cabiner du Roi. Paris, 1749 Drawings by Jacques E. DeSeve. Engravings with l...