Shepard FaireyMuhammad Ali – Heavyweight Ideals (Iconic, Activist, Civil Rights, ~35% OFF)2023
2023
About the Item
- Creator:Shepard Fairey (1970, American)
- Creation Year:2023
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:1stDibs: LU608314475142
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
Find a collection of Shepard Fairey original art on 1stDibs.
- ShippingRetrieving quote...Ships From: Kansas City, MO
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- Noir Flower Women (Blue)By Shepard FaireyLocated in Kansas City, MOShepard Fairey Noir Flower Women (Blue) Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 400 Signed, dated and numbered by hand COA provided Ref...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- Only The Finest Poison (Iconic, oil industries, deceptive marketing, bribing)By Shepard FaireyLocated in Kansas City, MOShepard Fairey Only The Finest Poison Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.:...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- The Future Is Equal (Iconic, ERA, women’s rights, gender equality)By Shepard FaireyLocated in Kansas City, MOShepard Fairey The Future Is Equal Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 600 Signed, dated and numbered by hand COA provided Ref.: 92...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- Alice Bag (Iconic, Melanie Nissen, Slash Magazine, Punk, LA)By Shepard FaireyLocated in Kansas City, MOShepard Fairey Alice Bag Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-15889...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- In Honor of Vincent Jen ChinBy Shepard FaireyLocated in Kansas City, MOShepard Fairey In Honor of Vincent Jen Chin Screen print on thick cream Speckletone paper Year: 2021 Size: 24 x 18 inches Edition: 350 Signed, dated and numbered by hand COA provided...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- Ian Curtis Heart And Soul (Iconic, Joy Division, Peter Saville, Kevin Cummins)By Shepard FaireyLocated in Kansas City, MOShepard Fairey Ian Curtis Heart and Soul Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 500 Signed by Shepard Fairey and Kevin Cummins, dated ...Category
2010s Contemporary Prints and Multiples
MaterialsScreen
- Tom Petty Mojo Tour Shepard Fairey Holographic Slikscreen Contemporary Music ArtBy Shepard FaireyLocated in Draper, UTThe Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...Category
2010s Contemporary Portrait Prints
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