George BrookshawBROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon1812
1812
About the Item
- Creator:George Brookshaw (1751 - 1823, British)
- Creation Year:1812
- Dimensions:Height: 27.56 in (70 cm)Width: 23.43 in (59.5 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In handmade perspex frames. Overall dimensions: 59.5cm x 70cm by 2cm.
- Gallery Location:London, GB
- Reference Number:
George Brookshaw
George Brookshaw began his artistic career as a teacher of watercolor painting. During the prime of his life, he was a sought-after cabinetmaker, creating finely-painted neoclassical furniture for patrons such as the Prince of Wales (the future King George IV). However, public records about his career disappear in the mid-1790s, about the same time that his prominent marriage collapsed. There is no mention of him until the Pomona Britannica began its release in 1804. Historian Lucy Wood suggests that Brookshaw began a new career in botanical studies under the name G. Brown, author of A New Treatise on Flower Painting, a painting instruction text. Several plates in the 1817 supplement to that work are now attributed to Brookshaw. Plate 27 by George Brookshaw from one of the finest volumes on pomology, "Pomona Britannica or a Collection of the Most Esteemed Fruits at Present Cultivated in Great Britain". Many of Brookshaw’s models came from the Royal Gardens at Hampton Court and Kensington Gardens.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- THORNTON. Group of CarnationsBy Dr. Robert John ThorntonLocated in London, GBMagnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...Category
1790s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper, Aquatint, Mezzotint
- THORNTON. The RosesBy Dr. Robert John ThorntonLocated in London, GBMagnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...Category
1790s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper, Mezzotint, Aquatint
- THORNTON. The Tulips.By Dr. Robert John ThorntonLocated in London, GBAquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...Category
1790s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper, Aquatint, Mezzotint
- THORNTON. The Superb Lily.By Dr. Robert John ThorntonLocated in London, GBA magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...Category
1790s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper, Aquatint, Mezzotint
- GALLESIO. A Group of Six Grapes.Located in London, GBSix hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...Category
1810s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper
- REDOUTÉ. Musa paradisiaca - BananaBy Pierre-Joseph RedoutéLocated in London, GBStipple-engraved plate of Bananas printed in colours and finished by hand. [Chez l’Auteur, Paris, 1802] The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanical illustration ever to be published." (Frans A. Stafleu, "Redoute - peintre de fleurs" in A Catalogue of Redouteana). Redoute was at the height of his powers during the publication of Les Liliacees. It is easily the equal in accomplishment of its more popular successor, Les Roses. The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he had as patron and sponsor Josephine...Category
Early 1800s Naturalistic Still-life Prints
MaterialsEngraving, Handmade Paper
- Silver Rock Melon: A Framed 19th C. Color Engraving by George BrookshawBy George BrookshawLocated in Alamo, CAThis is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...Category
Early 19th Century Naturalistic Still-life Prints
MaterialsEngraving, Aquatint
- White Hamburgh Grape: A Framed 19th C. Color Engraving by George BrookshawBy George BrookshawLocated in Alamo, CAThis is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...Category
Early 19th Century Naturalistic Still-life Prints
MaterialsEngraving, Aquatint
- "Amicua Melon" Hand Finished Color Engraving by George BrookshawBy George BrookshawLocated in Alamo, CAThis is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...Category
Early 19th Century Naturalistic Still-life Prints
MaterialsEngraving, Aquatint
- Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving BuffonBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Imprimerie Nationale, Paris, France Publisher: Georges-Louis Leclerc, Comte de Buffon, Paris, France Framing: Not framed, but beautifully double matted with hand decorated archival French matting...Category
2010s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio
- Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants ArtBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...Category
1740s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio
- Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants ArtBy Georges-Louis Leclerc, Comte de BuffonLocated in Saint Augustine, FLArtist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...Category
1740s Naturalistic Still-life Prints
MaterialsWatercolor, Engraving, Laid Paper, Intaglio