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Maria Bennett
"The Rolls" - Vintage Rolls Royce Automobile Etching on Paper (A/P)

1970s

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  • "The Winner" - Etching on Paper (10/25)
    Located in Soquel, CA
    "The Winner" - Etching on Paper Clean and modern drypoint etching of a horse skeleton by Maria Bennett (American, 20th Century). This etching has layer...
    Category

    1970s Modern Still-life Prints

    Materials

    Paper, Ink, Drypoint

  • "Dark Box" Drypoint Etching with Aquatint (no. 10/20)
    Located in Soquel, CA
    Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...
    Category

    1980s Modern Interior Prints

    Materials

    Ink, Aquatint, Drypoint, Paper

  • "Rebirth" Honey Bee and Barbed Wire - Intaglio Print
    Located in Soquel, CA
    Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W Titled "Rebirth" along the bottom edge. Signed and dated "T. Uchida" in the lower right corner. Presented in a new double mat mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
    Category

    1980s Contemporary Still-life Prints

    Materials

    Paper, Ink, Drypoint

  • "Still Life with Door", Monochrome Cyan Drypoint Etching
    By Barbara B. Cohn
    Located in Soquel, CA
    Limited edition monochrome cyan drypoint etching of a potted plant and door by Barbara Cohn (American, 1923-2019). Numbered ("2/25"), titled ("Still Life with Door"), and hand signed...
    Category

    1980s American Realist Still-life Prints

    Materials

    Paper, Ink, Drypoint

  • "Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
    By John Taylor Arms
    Located in Soquel, CA
    "Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
    Category

    1940s Victorian Still-life Prints

    Materials

    Ink, Etching, Drypoint, Paper

  • "II Cottonballs" - Intaglio Print by Tomoya Uchida
    Located in Soquel, CA
    Abstracted drypoint etching by Tomoya Uchida (Japanese, 20th Century). Two cottonballs on the stalk sit in a minimalist space. Titled "II Cottonballs" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
    Category

    1980s Contemporary Still-life Prints

    Materials

    Paper, Ink, Drypoint

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  • Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
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