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The New York Stock Exchange Building and New Addition

Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...

Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée...

Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...

Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...

Stipple engraving with color by Langlois after painter and botanist Pierre-Joseph Redouté (1759-1840), from Les Liliacées, published 1802-1816. Considered among jis best work, Redouté's largest and most ambitious work consisted of 486 engravings in 8 volumes and depicts all of the members of the lily family of plants including irises, tulips, orchids, amaryllis, and crocus. Pierre-Joseph Redoute was one of the most celebrated botanical artist during the golden era of French botanical illustration, spanning the first four decades of the 19th century. Born in Belgium into two generations of artists, Redouté traveled to Paris as a young man where he met his first patron the wealthy botanist Charles Louis...

Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédi...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

Sunlit Buttercups by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie h...

Vicky Oldfield, ‘Autumn Collection’ is a hand coloured collograph print; the print is taken from a plate which has been collaged with a variety of textured materials. The plates are ...

Waxing Crescent (The Moon Series) by Guy Allen [2020] limited_edition Etching on paper Edition number 75 Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Waxing Crescent by Guy Allen is a limited edition of the moon. This piece is part of Guy's moon series. Accomplished print maker Guy Allen (b.1987) grew up surrounded by Norfolk’s natural beauty. The theme of the animal world is central to Guy’s work and inspiration. His limited edition original etchings showcase his brilliant draftsmanship in a contemporary way. Guy graduated from Central Saint Martins School of Art in 2011, but discovered his passion for the traditional etching process while studying at the École Nationale Supérieure Des Beaux-Arts in Paris in 2010. In 2012 Guy trained as an assistant print maker at the highly respected Curwen Studios, Cambridge, under Mary Dalton and Stanley Jones, where he mastered other types of printmaking. Today Guy works as a full time artist, splitting his week between his London and Norfolk studios, accompanied by trusty wire haired dachshund...

Waxing Crescent Young (The Moon Series) by Guy Allen [2020] limited_edition Etching on paper Edition number 75 Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Waxing Crescent Young by Guy Allen is a limited edition etching of the moon. This piece is part of Guy's moon series. Accomplished print maker Guy Allen (b.1987) grew up surrounded by Norfolk’s natural beauty. The theme of the animal world is central to Guy’s work and inspiration. His limited edition original etchings showcase his brilliant draftsmanship in a contemporary way. Guy graduated from Central Saint Martins School of Art in 2011, but discovered his passion for the traditional etching process while studying at the École Nationale Supérieure Des Beaux-Arts in Paris in 2010. In 2012 Guy trained as an assistant print maker at the highly respected Curwen Studios, Cambridge, under Mary Dalton and Stanley Jones, where he mastered other types of printmaking. Today Guy works as a full time artist, splitting his week between his London and Norfolk studios, accompanied by trusty wire haired dachshund...