Takashi Murakami

Takashi Murakami Skateboard Decks: set of 2 (Murakami Flowers Murakami skulls)

2015-2017

Keith Haring Skateboard Deck c.2012: Rare, out of print Keith Haring skate deck featuring one of the artist's iconic dragon images, set amidst a vibrant array of colors that really p...

Takashi Murakami Flowers Skateboard Deck: A collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist...

Takashi Murakami Supreme Skateboard Decks 2007: set of 3 works (Takashi Murakami Skateboards): A complete set of 3 Takashi Murakami skateboards publishe...

Takashi Murakami Flowers Skateboard Decks (set of 2 works): The black & white deck marks a collaboration between Takashi Murakami and his friend, the rising Japanese artist 'Madsaki' (bio below). The impression is an urban twist on Takashi Murakami’s otherwise highly polished flowers motif - a beautiful juxtaposition between two very different styles from two masters of their craft. This limited work was published by Murakami’s Kaikai Kiki Gallery Japan in 2017. The blue was published circa 2017 in conjunction with the Murakami exhibit: The Octopus Eats Its Own Leg, MCA Chicago. A brilliant set that makes for vibrant, one of a kind wall-art that hangs with ease. Medium: Silkscreen on 2 individual Maple Wood skateboard decks. Crisp colors. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Condition: each housed in its original packaging; excellent overall condition. Each from a sold out limited edition of unknown; stamped by the artist on the reverse of each. Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. MADSAKI (b. Japan 1974) Joining Murakami has led to a rapid evolution of Madsaki. Now with three Kaikai exhibitions under his belt––Hickory Dickory Dock; Here Today, Gone Tomorrow; and MADSAKI Says “Yo! snipe1 & UFO907, Get Your Asses Over Here!” Madsaki has made a firm imprint on the Murakami canon. In his introduction to Madsaki’s second solo exhibit, Here Today, Gone Tomorrow from 2017, Murakami jokingly points out how his direction and guidance successfully shaped Madsaki’s work. While the debt Madsaki owes to Murakami is patently clear, in an abrupt turnabout it appears that the apprentice guides the master in some ways as well...

KAWS: HOLIDAY JAPAN Mount Fuji Ceramic Plate Set (Set of 4): This standout KAWS ceramic plate set was published by All Rights Reserved to commemorate the ...

Josef Albers Homage to the Square 1977: Screen-print in colors on heavy double-folded wove paper from the Verlag Aurel Bongers 1977 monograph approved by Albers shortly before his d...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...

A beautiful set of two table lamps by Keith Haring, screenprint on glass, from the limited edition of 2000, published in 1988 by Kreon. The two lamps are in perfect conditions, they ...

Margaret Roleke creates politically aware work. Children’s war toys and packaging for these toys have fascinated her and become integrated elements in my wall reliefs and paper piece...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Walking in the City. 6, 2012 Julian Opie Sculpture screenprinted on spray-painted Axson shaped block Signed and numbered from the edition of 25 on the base in black ink Printed by Advanced Graphics...