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Théophile Alexandre Steinlen1899 Original poster Motocycles Comiot Paris - Les Maîtres de l'affiche Pl. 1901899
1899
About the Item
Théophile-Alexandre Steinlen's "Motocycles Comiot Paris" poster, created for Les Maîtres de l'Affiche as plate number 190, is a remarkable work of poster art from the period.
Théophile-Alexandre Steinlen was a French-born Swiss artist. His "Motocycles Comiot Paris" poster promotes the Comiot brand of motorcycles in Paris. The poster features a dynamic scene of a driver riding a motorcycle, accompanied by a passenger. Both characters are depicted with a certain exuberance, expressing the sense of speed and adventure that riding a motorcycle brings.
Steinlen uses flowing lines and stylized forms to represent movement and speed. The colors chosen, mainly shades of black, red and white, add to the visual impact of the poster. The use of these bright, contrasting colors creates a striking composition that grabs the viewer's attention.
This poster highlights the modern and innovative aspect of Comiot motorcycles. It reflects the era's infatuation with motor vehicles and fascination with new forms of transportation. Steinlen succeeded in capturing this enthusiasm in his poster, encouraging viewers to discover the performance and benefits of Comiot motorcycles.
Les Maîtres de l'Affiche was a collection of 256 posters created by renowned artists of the time. Steinlen's poster for "Motocycles Comiot Paris" was featured in plate number 190 of the collection, underlining its importance and recognition as an outstanding example of poster art.
Cycle - Advertising - France
Masters of the poster pl. 190
Chaix
- Creator:Théophile Alexandre Steinlen (1859 - 1923, French)
- Creation Year:1899
- Dimensions:Height: 15.75 in (40 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792212657422
Théophile Alexandre Steinlen
Theophile Alexandre Steinlen was born in Lausanne in 1859. He was naturalized French in 1901. He was a painter, engraver, illustrator, poster artist and sculptor. Before settling in Paris, he made a detour to Mulhouse where one of his uncles placed him in the studio of one of the best lithographers of the time. He settled definitively in Montmartre in 1881. Willette introduced him to his companions of the Cabaret du Chat-Noir animated by Rodolphe Salis. He met Toulouse-Lautrec, Forain, Léandre, Debussy, Eric Satie, Verlaine, Alphonse Allais and Aristide Bruant. He took part in the performances of the famous cabaret's shadow theater with animal stories and, most often, sequences featuring cats, for which he has a particular affection. The felines will appear throughout his activity as "parentheses" in a tormented work. There is, in this torment, the expression of no personal problem but a painful compassion for the lives of the exploited and marginal beings. He painted and drew idylls, balls and bastrings, workers, kids and gosselin, the poor, the little workers, girls and marlous. He sometimes made posters. In the most successful of them (« Le lait pur de la Vingeanne » et le « Fer Bravais ») he imposed, relevant or not, the presence of cats.
In 1901, Steinlen worked for L'Assiette au beurre , the most virulent satirical newspaper ever published and takes readily to target the institutions of the 3rd Republic.
His works are found in numerous Public Collections, such as Petit Palais in Geneva, Hermitage Museum in Saint Petersburg, and the National Gallery of Art in Washington.
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