Items Similar to A Sculpture Framed by a Print
Want more images or videos?
Request additional images or videos from the seller
Valton TylerA Sculpture Framed by a Print1971
1971
About the Item
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“A Sculpture Framed by a Print” is plate number 32, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In “The First Fifty Prints,” Reynolds writes, “Unlike other small aquatint studies, Valton feels this represents a completed idea in design and does not include it with the other silhouettes. He envisions the forms as three-dimensional and monumental but has intentionally scaled them down to emphasize the graphic medium through which they are expressed. The flatness of the forms and the white dots along the borders again de-emphasize the sculptural qualities he tries to enhance in other plates. With this small plate, Valton defines one major intention of his art as an amalgamation of the two mediums of sculpture and etching.” (Reynolds, p. 100)
Paper size: 15 1/2 x 18 inches
Edition: 5 Artists Proofs Imp. 50 Signed Prints Imp.
Bibliography:
Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies," The New York Times, June 13, 2000, page B2.
Edward M. Gomez, "Valton Tyler's Techno-Organic Landscapes," Raw Vision 35, Summer 2001, pages 34-39.
Rebecca Reynolds, "The First Fifty Prints: Valton Tyler," published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
- Creator:Valton Tyler (1944, American)
- Creation Year:1971
- Dimensions:Height: 9 in (22.86 cm)Width: 11.75 in (29.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1954
1stDibs seller since 2013
151 sales on 1stDibs
Typical response time: Several days
Associations
Art Dealers Association of America
- ShippingRetrieving quote...Ships From: Dallas, TX
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- 154 Foot Sculpture That Never WasBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...Category
1970s Surrealist Prints and Multiples
MaterialsAquatint, Rag Paper, Etching
- Music BoxBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
1970s Surrealist Still-life Prints
MaterialsRag Paper, Etching, Aquatint
- Night ShiftBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
1970s Surrealist Still-life Prints
MaterialsRag Paper, Etching, Aquatint
- Pillow MachineBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
1960s Surrealist Abstract Prints
MaterialsRag Paper, Etching, Aquatint
- One Little StageBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
1960s Surrealist Abstract Prints
MaterialsRag Paper, Etching
- WhistleBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...Category
1970s Surrealist Still-life Prints
MaterialsRag Paper, Etching
You May Also Like
- Characters XVIII ∞-CBy Guntars SietinsLocated in Palm Springs, CAThe illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The numbers reflect up into the ball, along wit...Category
2010s Surrealist Still-life Prints
MaterialsAquatint, Mezzotint
- "St. Sebastian in NY, " Original Aquatint signed by Dan Mitchell AllisonBy Dan Mitchell AllisonLocated in Milwaukee, WI"St. Sebastian in N.Y." is an original color aquating by dan Mitchell Allison. The artist signed the piece in the lower right. This piece depicts a heart/apple behind a window being assaulted by small arrows. Cactus-patterned curtains fly away from the windows and five words float in front of the entire image. This piece resembles Rene Magritte's early experiments with text-based surrealism. This piece is edition 38/40. 15 3/8" x 19 5/8" art 22 1/8" x 26 1/4" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...Category
1980s Surrealist Still-life Prints
MaterialsAquatint
- "Wounded Fruit, " Color Aquatint sigend by Dan Mitchell AllisonBy Dan Mitchell AllisonLocated in Milwaukee, WI"Wounded Fruit" is an original color aquatint by Dan Mitchell Allison. It depicts a banana behind a window with an arrow through it. There are also color names written on the piece. It recalls Rene Magritte's early surreal explorations of objects and text. The artist signed the piece in the lower right. It is edition 39/40. 15 1/2" x 19 1/2" art 22 1/4" x 26" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...Category
1980s Surrealist Still-life Prints
MaterialsAquatint
- Amsterdam II ed 28/50- museum glass framed black-white aquatint etch printBy Olivier JuliaLocated in Doetinchem, NLAmsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...Category
1980s Contemporary Abstract Prints
MaterialsRag Paper, Etching, Aquatint
- Amsterdam I ed 28/50 - museum glass framed black-white aquatint etch printBy Olivier JuliaLocated in Doetinchem, NLAmsterdam I is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...Category
1980s Contemporary Abstract Prints
MaterialsRag Paper, Etching, Aquatint
- Amsterdam V ed 27/50 - museum glass framed black-white aquatint etch printBy Olivier JuliaLocated in Doetinchem, NLAmsterdam V is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...Category
1980s Contemporary Abstract Prints
MaterialsRag Paper, Etching, Aquatint
Recently Viewed
View AllMore Ways To Browse
A Sculpture
Vintage Border And Frames
Vintage Borders And Frames
Silhouette Prints
36 Inch Print
Industrial Design Print
Vintage Text Frames
Old Graphic Prints
Vintage Framed Silhouettes
Vintage Framed Silhouette
Vintage Reynolds
Architectural Etching Framed
Oil Paintings Signed Reynolds
Industrial Etchings
Industrial Explosion Proof
Retro Auto Art
Vintage Auto Prints
Reynolds Etching