Benedict Michael Tatti

Bronze Sculpture Abstract Brutalist Goat or Ram WPA Artist Mounted on Base

c.1950's

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the proof, There was an edition of these and this is a unique variant. All done by hand. It is on a base and revolves and rotates easily as there are ball bearings. It is very well made. Christiaan Karel Appel (1921-2006) was a Dutch artist, painter, sculptor, and poet. Born in Amsterdam, the Netherlands, he died in Zurich, Switzerland. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement Cobra in 1948. He was also an avid sculptor and has had works featured in MoMA, the Stedelijk and other museums worldwide. At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting. From 1940 to 1943, during the German occupation, Appel studied at the Rijksakademie van Beeldende Kunsten in Amsterdam, and it was there he met the young painter Guillaume Corneille and, some years later, Constant; they became close friends for years. Appel had his first show in Groningen in 1946. In 1949 he participated with the other CoBrA artists in the Stedelijk Museum Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by Pablo Picasso, Henri Matisse, and the French brute-art artist Jean Dubuffet. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black. He joined the Experimentele Groep in Holland together with the young Dutch painters Anton Rooskens...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Sculpture Of A Sleeping Dog. A wonderful and realistic cast bronze signed and numbered. With beautiful weathered patina Small edition of 10 Colin Webs...

Mathias Goeritz (German Mexican, 1915-1990) Bronze sculpture Signed and numbered Dimensions: (approximate) Height: 10 inches, Width: 4 inches, Depth: 2 inches. This is a cast bronze sculpture in an amorphous figure shape, quite heavy. Reminiscent of the biomorphic sculpture of Hans Jean Arp. This came from an estate and bears his signature It is not dated. there is no accompanying documentation. it is priced accordingly. Werner Mathias Goeritz Brunner (Danzig, Germany, April 4th, 1915/ now Gdansk, Poland – Mexico City, Mexico; August 4th, 1990). Mathias Goeritz has had several gallery and museum exhibitions, including at the Museo Nacional Centro de Arte Reina Sofía and at the Museo Experimental El Eco. Numerous works by the artist have been sold at auction, including 'MENSAJE' sold at Sotheby's New York 'Latin American Modern Art' in 2015 for $466,000. There have been Several articles about Mathias Goeritz, including 'LACMA remaps Latin America' written by Suzanne Muchnic for the Los Angeles Times. Painter, sculptor and Mexican architect associated with the trend of constructive abstraction. He studied medicine at the University of Berlin, but this only lasted a year. The concerns of the young student were aesthetic in nature so he he studied figurative drawing at the Berlin Charlottenburg School of Art. Some of his friends and colleagues were the sculptor Ernst Barlach, painter George Grosz and draughtsman Kaethe Kollwitz. Goeritz studied philosophy and history of art, discipline in which earned a doctorate. He travelled in France, Switzerland, Czechoslovakia, Poland, Austria and Italy, among other countries. It is known that he left Germany to live in Tetuan, Morocco in 1941 and then Granada, Spain in 1945. In 1946 he had a large exhibition in the Sala Clan in Madrid under the pseudonym "Mago". Two years later, living in Santilla del Mar, Spain he was a founder of the Escuela de Altamira. The following year he married Marianne Gast, writer and his companion for more than fifteen years. In Spain followed his artistic work by important artists of the avant-garde. Of Jewish descent, he found refuge from the Second World War in Mexico where in 1949 he was invited by Ignacio Diaz Morales to be a part of the faculty of the School of Architecture at the Universidad de Jalisco. In 1953 he wrote the "Manifiesto de la Arquitectura Emocional" (The Emotional Architecture Manifesto), where he points out that only achieving true emotions from architecture can it then be considered an art form. In Mexico he entered controversy with the artistic stablishment of that country; in an open letter, Diego Rivera and David Alfaro Siqueiros described him as "an impostor without the most insignificant talent and preparation" to be an artist. Despite this, in 1957 he was elected director of visual design of the National School of architecture This same year he founded the Museo del Eco in Mexico City. In 1961 Goeritz participated at the Galería Antonio Souza in a group exhibition, Los hartos, for which he published another manifesto. Other participants included Jose Luis Cuevas and Pedro Friedeberg, with whom he was instrumental in establishing abstraction and other modern trends in Mexico.His work is included in the Gelman Collection of modern and contemporary Mexican art based in Cuernavaca, Mexico. Established by Jacques and Natasha Gelman in 1943 as a private collection. it includes many iconic works by major Mexican Modernists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, Leonora Carrington, Rufino Tamayo and Francisco Toledo, Lola Alvarez...

Bronze sculpture signed in Hebrew and numbered from small edition of 6 BIOGRAPHY "I was born in Czechoslovakia in the year 1925, of traditional parents. I spent my youth partly in a little town on the Moravian border, and to a greater part in Bratislava, the capital of Slovakia. Having been attracted by the arts from early childhood on, I studied functional art at a school in Bratislava, as long as this was still possible under the Nuremberg Laws which, at that time, were also in force in Slovakia. In 1942 I was taken to a concentration camp in Poland and at the beginning of 1945 I succeeded in escaping together with a friend of mine. Until our liberation by the Russians we were hiding in the forests of Northern Poland. At the end of the War I found myself wandering about Europe, together with thousands of survivors from the Holocaust, until, in 1948 I came to Israel via the Camps of Cyprus. From 1954 onwards I have been a permanent resident of the Artists Village at Ein-Hod, together with my family. In the course of that time I studied and worked in most of the creative techniques of the arts. During various periods of my life at Ein-Hod I taught painting and handicraft at different schools. In 1965 I gave up teaching and have since devoted myself exclusively to pure art." Gedalia Ben Zvi. Exhibitions 1962-1963 Design Exhibition, Tel Aviv 1964 Middle East Fair, Tel Aviv 1965 Ceramic Mural for school in Kiryat Gat a the Housing Exhibition in Tel Aviv 1966 Israel Fair and Exhibition, Paris One man show, Ein Hod International Symposium on “Ceramics in Architecture” Tel Aviv Ceramic Museum Museum or Modern Arts, Heavy Museum of Acre 1968 Painters Israeliens dans I’Art de Gobelins, Jerusalem Ein Hod Artists Village - Tenths Year Anniversary Exhibition 1963, Artists: Zvi Aldouby, Marcel Janco, Rudi Lehmann, Moshe Mokady, Aviva Margalit Mambush, Yohanan Simon, Dov Feigin, Ovadia Alkara, Mark Tochilkin...

Rachid Khimoune (Algerian, b. 1953) Les enfants du monde bronze. signed and numbered artist's edition of 4 foundry mark - L. Cappe 7.5 x 4.63 x 2.38 Overall: 8.25 x 4.63 x 2.38 RACHID KHIMOUNE, Algerian-French artist and sculptor. Born in 1953 in Decazeville, France. Lives and works in Paris, France. Rachid Khimoune graduated from the School of Art of Paris in 1974; he initially started to work with painting before choosing sculpture. In 1980 he won the first prize of the Foundation of France. He works in an Art Brut, Naif art style similar to Jean Dubuffet and Enrico Baj. Being the recipient of numerous prestigious awards and an extensive oeuvre, Rachid Khimoune has been exhibiting since 1975 and his work can be found in several museums, and public and private collections. The artist behind the project Rachid Khimoune, has been responsible for a number of major, successful public art installations in France. Most famously, the installation close to the Bibliothèque Nationale (National Library) ‘Les Enfants du Monde’ (The Children of the World). Rachid’s newer works are masks and totems cast in bronze: poetic images forged in a furnace. Rachid uses discarded objects and disused parts of machines, to create new human and animal forms. Here his interest in metal-working and Arab art-African art coincides with the assemblage of found objects; one mask is a collage constituted by a large model of the Eiffel Tower stuck into the end of a trumpet. Another has a jerry-can for a face, and the golden patina and surface-working of the bronze does not dispel the idea which this image creates: of a human mouth drinking oil. Born in France to parents from Algeria, Khimoune embraces the role of the artist as a global citizen, using art as a universal language. Select Awards Lauréat du Prix de la Fondation de France (1980) Chevalier des Arts et Lettres (2002) Grande Médaille de la Ville de Paris (2004) Chevalier de la Légion d’Honneur (2007) EXHIBITIONS SOLO EXHIBITIONS 2017 Ar[T]senal, Dreux, France 2016 Musée Tavet Delacour, Pontoise, France 2015 Parvis de l’Hotel de ville, Paris 2015 Beirut Art Fair, Beyrouth, Liban 2015 Galerie Francoise Souchaud, Lyon 2014 Musée Rabelais, Seuilly, France 2013 Galerie Vallois...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of femin...

"Songbird" Bronze and Marble sculpture 22.5" x 5" in by Ibrahim Abd Elmalak Songbird, 2008 Bronze & Marble 57 x 13 cm, Signed & Dated Sculptures that mostly depict his characteri...

"Chrysalis" Bronze and Marble sculpture 19" x 15" in by Ibrahim Abd Elmalak Chrysalis, 2005 Bronze & Marble 48 x 39 cm, Signed & Dated Sculptures that mostly depict his character...

Space, the final frontier. From the dawn of civilization man tries to reach for the stars. Is there someone out there or are we alone is this vast universe? This work speaks about the great insecurity we feel as a species when we think about life in other planets...

A beautiful modernist 20th Century Bronze piece by Joachim Berthold. Here we find this stylish figure sitting in a hoping position looking up that eludes thought and complexity. A me...

This is an intense bronze abstract sculpture and it was created by the Italian artist Andrea Picini. The artwork is hand made by the technic of the ...