Carrie Gillen

Abstract, Stretched Fabric_Wall Sculpture/Textile_Carrie Gillen_Siren Call, 2024

2024

CARRIE GILLEN "Weightless" Stretched Fabric, Acrylic 51.75 x 41.75 in. Framed ______________________ The pleating of the fabric and the interplay of light and shadow become integr...

CARRIE GILLEN "Matchstick #1" Stretched Fabric, Acrylic 31.75 x 25.75 in. Framed ______________________ The pleating of the fabric and the interplay of light and shadow become int...

CARRIE GILLEN "Stay Gold" Stretched Fabric, Acrylic 31.75 x 31.75 in. Framed ______________________ The pleating of the fabric and the interplay of light and shadow become integra...

CARRIE GILLEN "Matchstick #2" Stretched Fabric, Acrylic 31.75 x 25.75 in. Framed ______________________ The pleating of the fabric and the interplay of light and shadow become int...

CARRIE GILLEN "Matchstick (Diptych)" Stretched Fabric, Acrylic 31.75 x 25.75 in. Framed, Each 31.75 x 51.5 in. Framed, Overall ______________________ The pleating of the fabric an...

Jane Booth "Amelia's Notes" Acrylic, House Paint, Spray Paint, Watercolor Pencil, Graphite on Canvas 52 x 78 in. "There are two polarities that I gravitate towards in my work: one i...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

Nocturnal Parts is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. It is a relief consisting of two open spherical parts with an intriguing matte black finish, perhaps a bit mysterious but very beautifully made. It can be hanged in two different ways, with the opening between the two spherical elements either facing away or facing the observer. Depending where the light comes from one might decide for the one or the other hanging method. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

Acrylic on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, red, and gray.

Acrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, tan, and gray.

Acrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, black, orange, red a...

Acrylic on canvas stretched over handbuilt wood and Sintra armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Color palette: o...