Claude Urbani

Abstract Expressionist Etruscan Inspired Decorative Ceramic.

1993

Contemporary large scale French sculpture, carved from blue Brazilian sodalite, in the form of a large elongated vessel or 'coupe' by Georges Vassal a French artist living in the sou...

Large pair of signed Murano glass vases by Olivier Guis. Late 20th century. Venetian glass (Italian: vetro veneziano) is thought to have been...

French Mid 20th Century ceramic figure of a man in Sang de Boeuf, oxblood red, glaze presented on a metal 'tige' and marble base. The sculpture is not signed but was purchased from ...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Large abstract expressionist oil on canvas of Toulon Rugby Club supporters at a rugby match. Unsigned. Extremely vibrant and energetic depiction of Toulon ...

Abstract Expressionist mixed media montage titled 'Danse Squelettes' by French artist Armand Avril, signed and dated 2002 bottom centre and signed, dated and titled with explanation of the inspiration of this piece to the reverse. Avril's inspiration here is drawn from an exhibition in the Grand Palais de Paris called, 'la mort n'en saura rien' in 1999/2000 in which works come together from across four continents to explore man's differing perspectives on death in different cultures. As always this mixed-media is created with the humour and joy and abandon that the artist puts into all his work. A very strong sculptural image. This montage is made on a flour sack with applied cardboard and acrylic paint. The more sculpted areas of the piece stand out to around 1.5cm from the frame. The piece includes the artist's favourite motifs of cats and skulls. Avril's work will always make you smile and has great energy. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril, was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

“Metamorphosis” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. Blowing in the wind. The wind crosses to the mountain and loops lazily in circles in the blue sky. “Metamorphosis” is part of a new series from Fitzgerald’s studios in Jingdezhen, China. This series uses over-glaze, a new ceramic firing technique that diverges from Fitzgerald’s previous ceramic practice, which used the traditional under-glaze technique with blue and white colors. Over-glaze allows FitzGerald to paint with a range of colors; unlike with other glaze techniques, such as under- or middle-glaze, over-glaze allows FitzGerald to paint onto an already fired ceramic panel, so there is no serious change in the color of the pigments. This is a special technique which allows the artist to mix Chinese painting techniques with western techniques derived from oil painting. Over-glaze decoration is considered one of the most important modern glaze techniques in Jingdezhen now. The traditional overglaze decorative colors in Jingdezhen include Gucai (antique colors...

“Under the Sea” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. Below the azure blue line that circles t...

“Swan Song” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. The turquoise blue colors and willfully rounded shapes gives “Swan Song” an aquatic theme, while the red designs nestled amongst the blue undergrowth gives the pot a fantastical element. “Swan Song” is part of a new series from Fitzgerald’s studios in Jingdezhen, China. This series uses over-glaze, a new ceramic firing technique that diverges from Fitzgerald’s previous ceramic practice, which used the traditional under-glaze technique with blue and white colors. Over-glaze allows FitzGerald to paint with a range of colors; unlike with other glaze techniques, such as under- or middle-glaze, over-glaze allows FitzGerald to paint onto an already fired ceramic panel, so there is no serious change in the color of the pigments. This is a special technique which allows the artist to mix Chinese painting techniques with western techniques derived from oil painting. Over-glaze decoration is considered one of the most important modern glaze techniques in Jingdezhen now. The traditional overglaze decorative colors in Jingdezhen include Gucai (antique colors...

“Without a Doubt” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. The patterns of colors and lines flow up from the bottom of the ves...

“Aqua” is a unique over-glaze Chinese porcelain pot by renowned ceramist and painter, Jared FitzGerald. Fish and sea creatures travel around the pot. The thin layers of color gives the design an open and delicate feeling. “Aqua” is part of a new series from Fitzgerald’s studios in Jingdezhen, China. This series uses over-glaze, a new ceramic firing technique that diverges from Fitzgerald’s previous ceramic practice, which used the traditional under-glaze technique with blue and white colors. Over-glaze allows FitzGerald to paint with a range of colors; unlike with other glaze techniques, such as under- or middle-glaze, over-glaze allows FitzGerald to paint onto an already fired ceramic panel, so there is no serious change in the color of the pigments. This is a special technique which allows the artist to mix Chinese painting techniques with western techniques derived from oil painting. Over-glaze decoration is considered one of the most important modern glaze techniques in Jingdezhen now. The traditional overglaze decorative colors in Jingdezhen include Gucai (antique colors...

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Expressionist style hand built and heavily glazed in a high metallic palladium glaze. Judy's first introd...