Hilary Crawford

Rusting landscape - contemporary modern abstract glass sculpture

2011

Memento Clear Cell is a unique contemporary modern glass object made by Australian glass artist Emily McIntosh. This sculpture is made up of three blown clear glass components, small, medium and large, that are all lathe worked with a brushed translucent finish. The artist has been pursuing themes of touch as human memory through marking the glass skin. Her sculpture is focused upon surface finishes that amplify translucency, shadow & the reflection of light within the glass creating impressions of fragility & the suggestion of vulnerability. They are reminiscent of time capsules or cells capable of holding onto transient thoughts and memories, these structures are intended to preserve and protect one’s precious ephemeral recollections that through time may otherwise become forgotten. Emily McIntosh (1978, Australia) graduated with a MA in Fine Art and earlier with a BA First Class Honours in Fine Arts in Ceramic Design - Glass from the Monash Unversity in Caulfield. After her study she spent several months in Japan at the Ezra Glass Studio working with renowned glass artist Hiroshi Yamano...

Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...

Farbenlichthaut no. 167 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...

Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...

Intersection IV 12/25 is one of a series of originally four different small size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier Julia. From this series...

Movement is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strip...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

hand blown glass, pigment and marble mix with Sumi ink

This beautiful burnt orange vessel in blown glass takes its organic shape and wild patterns from nature. Canadian artist Susan Rankin finds inspiration in the ever-changing colours and forms in the garden she tends to all summer. “With this new series of blown vessels I am working with more transparent translucent colours, shards, glass threads and thread drawing. The resulting pieces have a history/story built into the surface, which encompass the optic qualities of glass and light.” Susan Rankin She graduated with honors from Sheridan College, Oakville Ontario, in 1989 and received a three-year artist in residency at the Harbourfront Centre glass studio. Rankin has studied glass at the Pilchuck...

Jonas Noël Niedermann LOOP (Azure), 2022 Blown glass 13.50 x 7.50 x 3.50 in.

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

The artists, Bengt Hokanson and Trefny Dix, are known for their distinctive blown glass forms and their mixed media sculptures. Contemporary Italian and Swedish glasswork, urban graffiti, world textiles, as well as forms and color patterns from nature have influenced their blown glasswork. Bengt Hokanson graduated from Tulane University with a degree in Anthropology and a minor in Glass. After graduating, Bengt worked for glass artist, Gene Koss...