Judith + Rolfe

KIKKŌ 31

2020

Trihexagonal tiling pattern consisting of equilateral triangles and hexagons. This pattern has long been used in Japanese wickerwork, where it is called Kagome. Kago meaning “basket”...

3/8” high on-edge silver paper on grey cover stock. Frame Dimensions: 335 x 335 x 30 mm / 13.25 x 13.25 x 1.25 in Frame Description: 3/4” wide flat white wood shadowbox with ...

1/8" – 3/8" high on-edge paper on mat board. Handcut Stardream® Bluebell paper on gray background. Call them brushstrokes, or call them waves. These are beginning explorations ...

Adelpha eulalia 38.0 x 24.0 x 3.0, 10.0 lbs Photographic paper, foam board Hand signed by artist Artist's Commentary: "This piece was created using photographs of several differ...

Untitled #2/ Tied series 10.0 x 16.0 x 0.5, 1.0 lbs Handmade paper Hand signed by artist Artist's Commentary: "'Tied', the title of the installation series, is a phonetic pun on the rising tides and the paper pages bound by threads.
 As the water rises and falls, pages of our daily experience add and subtract to and from our memory. Our daily life permeates our memory just as the ink is absorbed into each page and create new shapes and patterns onto what once was a clean slate of a blank page." About the Artist: Yoonshin Park is a Chicago based multimedia artist, curator, and educator working with sculptural papers, artist books, and installations. Her interest in the comprehensive process of papermaking and bookbinding caters her work to encompass various elements woven into complete objects. She often uses her experience as a foreign transplant to question space and its implications in defining one's identity as the inspiration behind her work. Park has shown at the Ukrainian Institute of Modern Art, Hyde Park Art Center...

Adelpha eulalia 26.0 x 26.0 x 3.0, 5.0 lbs Photographic paper Hand signed by artist Artist's Commentary: "I transform images of insect wings into meditative, modern photographs ...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

The
 natural 
world
 is 
her 
inspiration, 
giving
 special 
attention
 to 
reflect 
movement
 as 
a 
way
 of
 exploring
 not
 only
 physical
 but
 emotional
 change.
 Orozco's consi...