Kevin Barrett

"Dream Garden I", Contemporary, Metal, Abstract Wall Relief Sculpture, Bronze

2018

"Patriot" by Kevin Barrett Epoxy, acrylic, and urethane on aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Painting...

"Untitled #3" by Kevin Barrett Epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Paintings, Wal...

"Rhythm 2" by Kevin Barrett Large Abstract Wall Scupture in painted aluminum. This piece has a hologram-like effect. Barrett is noted for creating uniqu...

"Mellow" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Paintin...

"Rhubarb" Abstract Painting by Kevin Barrett Acrylic and epoxy on aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall relie...

"Hearts of Fire" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

This Walter Valentini art work is made in cast lost wax bronze: "sun city" represent the dream of the man, a postive future for all. Signed by the artist.

Curtain Wall is a piece created from cast resin panels. The piece depicts the nighttime Mountain Views and a cave system within that range. With this piece I was inspired by tapest...

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...