Morys Davies

Morys Davies, 21st Century Relic, 2023

2023

Steve Cartwright, KT Handmade Sculptural Ceramic, Stoneware Clay, fired to 1250c 19 x 24 cm (7.4 x 9.4 in) Edition of 5 per year

Christopher Wool Untitled, 2020 Fine bone china 10 1/2 in diameter 26.7 cm diameter Edition of 175

Cast porcelain sculptural salt & pepper shakers labelled Heroin and Cocaine. These shakers were originally commissioned for the Collection Lambert in Avignon in 2000 and specially r...

Simon Shepherd, Cheeser, 2015 Ceramic Sculpture Limited edition of 3 17.8 x 22.9 x 22.9 cm / 7 x 9 x 9 in Brighton-based sculptor Simon Shepherd ...

Wood and resin, wall-mounted sculpture Original artwork 40 x 30 x 5 cm Brighton-based sculptor Simon Shepherd finds the similarities between two se...

Layne Rowe, Rainbow Grenade, 2023 Hot sculpted glass, cut polished and assembled with solid gold daisy H14 x W7.5 x D6.5cm A seductive and vulnerable material, glass translates a ...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

B 1995 Fernanda Carri´s intimate practice spans painting, drawing, ceramics, and textile, while her subject matter ranges from dreams to biographical themes. Before devoting herself ...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...