Olesia Dvorak-Galik

Purple man, installation "Don`t be a shallow"

2018

Materials: Chamotte, glazing, wood, plywood Real corn was used in the production of the texture

Materials: Chamotte, glazes, plywood With this work I wanted to touch on the problem of people who look at this world flat, very smooth and colorless. A medal has two sides and they...

Materials: Chamotte, glazing, plywood I started working on the installation "Don't be flat" in the second half of 2016. I am always interested in the role of man in society, nature, politics, human relationships, love, everything related to personal development. With this work I wanted to touch upon the problem of people who look at this world flat, very evenly and without color. A medal has two sides and they can differ from each other in volume, color and content. Wooden planes...

Materials: Chamotte, glazing, wood This piece of wood was presented to me once at an exhibition, it had a bouquet, the flowers have long since faded, and the tree has survived. I li...

Materials: Chamotte,glazing The work is based on real stone from the Carpathians. The story of how we like to travel to the mountains, they inspire us, op...

Materials: Chamotte, glazing, stone Two flowers on a stone continues the Mexican series about travels, about coral reefs, about the underwater world. The ...

Striking abstracted landscape by Linda West (American, b. 1953). A bold red landscape is dotted with the charred remnants of trees. The sky is a dull teal c...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes...

Made in Spain, 2023. Pure symbolism and collaboration of clay and natural wood make this series of sculptures ideal for table or floor-pedestal installation in the office, bedroom, ...

Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010. This contemporary abstract mixed media sculpture was done by Belgian artist, ...

Fired to cone 01. Glaze fired to cone 07. Low fire glaze applications. Finished with acrylics and oils. Dimensions: 5.5" x 5.5" x 5" Year: 2018 ARTIST STATEMENT My work passionately reflects my Mexican cultural roots. The art forms appear and are created as stories in the round as I transform and mutate a magic fusion of colors, shapes and a way of life into them. I often use faces joined by zigzag or curved lines. Flower petals characteristically fashion the idea of dealing with one’s aura. Some of the vessel forms I use (the goddess series) are used to symbolically connect earth to women… a container used for nutrients of survival. My work also speaks of healing. Pieces are created to capture great depth of emotion, celebration, suffering, and cultural bonding. Slip cast...

Goddess Form. Fired to cone 01. Glaze fired to cone 07. Low fire glaze applications. Dimensions: 13"h x 10"w x 8"d ARTIST STATEMENT My work passionately reflects my Mexican cultural roots. The art forms appear and are created as stories in the round as I transform and mutate a magic fusion of colors, shapes and a way of life into them. I often use faces joined by zigzag or curved lines. Flower petals characteristically fashion the idea of dealing with one’s aura. Some of the vessel forms I use (the goddess series) are used to symbolically connect earth to women… a container used for nutrients of survival. My work also speaks of healing. Pieces are created to capture great depth of emotion, celebration, suffering, and cultural bonding. Slip cast...