Do Ho Suh

Hub, 310 Union Wharf, 23 Wenlock Road, London, N1 7ST, UK

2015

Erwin Wurm's Drinking Sculptures are an expansion of his One Minute Sculpture series. These performative works consist of vintage furniture mounted onto bronze sculptures - cucumbers...

When Bucher moved back to Zurich from California in the mid-1970s and established her studio in an old butcher’s shop, she began creating latex castings of architectural elements, li...

Hernan Bas is best known for his narratively rich scenes that feature a wide-range of references spanning art and literature, popular culture, kitsch, the occult, religion, and mythology. Across his works, Bas seeks to defamiliarize everyday experience through humor, revealing the surreal and absurd lurking beneath the mundane. In conceiving this flamingo sculpture series, Bas was inspired specifically by the 19th century novel ‘Against Nature’ by Joris-Karl Huysmans. In the novel, the main character, an astute dandy of epic proportions, decides to cover a pet tortoise's shell with ornate jewels in order to see how the light would glimmer on it as it slowly treaded across his carpets. Bas imagined a fictional character of his own, a "Florida Dandy," who would naturally want bright pink flamingos as pets. The ball and chain keep them from flying away and simultaneously constrain them to a certain territory. . . . Fading pink (#3), 2016-2017 resin, feathers, galvanized metal buoy...

Hernan Bas is best known for his narratively rich scenes that feature a wide-range of references spanning art and literature, popular culture, kitsch, the occult, religion, and mythology. Across his works, Bas seeks to defamiliarize everyday experience through humor, revealing the surreal and absurd lurking beneath the mundane. In conceiving this flamingo sculpture series, Bas was inspired specifically by the 19th century novel ‘Against Nature’ by Joris-Karl Huysmans. In the novel, the main character, an astute dandy of epic proportions, decides to cover a pet tortoise's shell with ornate jewels in order to see how the light would glimmer on it as it slowly treaded across his carpets. Bas imagined a fictional character of his own, a "Florida Dandy," who would naturally want bright pink flamingos as pets. The ball and chain keep them from flying away and simultaneously constrain them to a certain territory. . . . Fading pink (#1), 2016-2017 resin, feathers, rug, galvanized metal buoy...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...

The sculpture, Banquet III - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Y...

Born in Nice in 1928, Armand Pierre Fernandez (1928 - 2005) showed a precocious talent for painting and drawing as a child. (Inspired by Vincent van Gogh, he signed his early work wi...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...