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Arman Hambardzumyan 'Early Childhood, ' by Arman Hambardzumyan, Bronze Sculpture
About the Item
This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. The torso opens up and holds a small figure with a face, the torso extends upward with outturn breasts. Two hands rests on the thighs of the figure. The sculpture is table top size attached to a wooden base.
"The theme of motherhood occupies a special role in my art. Once, in history class at school, I heard about the conspiratorial murder of Armenian King Pap. That story seemed familiar to me, but I did not know how. At home my mother told me that she was pregnant with me when she read the book about the King Pap. From this I got the idea that in the mother’s womb the child already feels the outer life. " -- Arman Hambrdzumyan
Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA.
Provenance - 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan. Bibliography - “Arman Hambardzumyan: Myths”, Catalog of Exhibition, 2015, “Tigran Mets” publication house, Yerevan.
- Creator:Arman Hambardzumyan (1988, Armenian)
- Dimensions:Height: 35.43 in (90 cm)Width: 9.84 in (25 cm)Depth: 6.29 in (15.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oklahoma City, OK
- Reference Number:
Arman Hambardzumyan
Creation for me is an endless process: the more you search, the more you find, the deeper you dive, the more you get away from the earth’s crust. There are three important components in my artworks – philosophy, humor and dynamics. When these components are concentrated, the artwork can defend itself by engaging in discussions and become eternal, because the work of art lives longer than the artist. I work with different techniques (welding, soldering, casting, pottery, oil painting, drawing with coal, pens, and etc.). Each material has its own language. When you understand the language and make the material into an idea, the result becomes a successful work. I am inspired by the artworks of the greatest artists of all times – Fidias, Scopas, Praxiteles and Lysippos. The source of my inspiration comes from the history of an ancient era. I often read about the excavations of Heinrich Schliemann, Arthur John Evans and others who have found the most durable materials - bronze, ceramics and glass. Penetrating into the thoughts, perceptions and feelings, I try to mix those three together. In my art, drawing plays a special role. If you go deeper, you will find out that the line is clearly visible in all my sculptures. The secret of getting a three-dimensional form is the energy of the line. – ArmanH
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