Bob Ragan

"White Village" Sculpture Fantasy Stone Carving Houses Towns City Castle Steeple

By Bob Ragan Two Indiana Limestone caryatid sculptures Dimensions and Weight for each: 73" x 21.5" x 20.3", 2000 lbs About the Artist: Bob Ragan is...

By Bob Ragan Indiana Limestone 36" x 12" x 9.5" 319 lbs

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

By Bob Ragan 30 x 12 x 10.5 inch Texas Limestone 260 lbs

Abstract sculpture titled "Night at the Opera" by Bob Ragan 24 x 12 x 12 Texas Limestone 240

By Bob Ragan Texas Limestone 36 x 14 x 14 inches 485 lbs

Monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Measures: Heig...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height wi...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

Monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Measures: Height of the sculptures cm 190 with squ...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

"Lady with a book" also known as "St. Suzanne" by Jan & Joël MARTEL (1896-1966) Sculpture in stone from Euville France circa 1935 height of the sculpture : 125 cm width of base : 25,4 x 21,2 cm total height with wooden base : 141 cm width of the wooden socle : 31 x 26 cm A similar model is reproduced in "Joël et Jan Martel, sculpteurs, 1896-1966", Ed. Gallimard Electa, 1996, page 150. Biography : The twins Jan and Joël Martel, born March 5, 1896 in Nantes and died respectively on March 16 and September 25, 1966 in Bois-de-Céné, were both of them French sculptors and decorators. As Parisian artists, they spent long moments in Vendée region, in their Mollin property, or in Saint-Jean-de-Monts, city in which one can see their last monumental work: "The Sea Birds". Their works were sculptures, monuments or fountains of Art Deco or Cubist inspiration. They also realized around 1920 interior fittings for villas. Jan and Joel Martel shared the same workshop and their work to the point of signing their compositions only by "Martel". The Martel brothers...