Deborah Ballard

The Good Life

2001

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

The alabaster of "Cloud," upon which this bronze is based, is in the collection of the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Anita Huffington's work is also included in the collection of the Metropolitan Museum of Art in New York; the Morris Museum in Augusta, Georgia; the Arkansas Arts Center in Little Rock; and the Samuel P. Harn Museum of Art at the University of Florida in Gainesville. Anita Huffington's history includes a long period in New York City starting in the late fifties when she studied dance with Martha Graham and Merce Cunningham. Huffington became acquainted with a circle of artists of the New York School, including Kline and de Kooning, as well as a diverse and individualistic group of painters, sculptors, musicians, and poets in this vital and idealistic period. These experiences, and her later choice to live in the woods of the Arkansas Ozarks, sowed the seeds for the sculpture she makes in stone, bronze, wood, and mixed media. Her work reflects both the world of art and the spirit of her life in the woods. Anita Huffington states: "I do direct carving in stone and make bronzes, often using the stone as part of the process. My sculpture is usually based on the human form, primarily the female nude. I often carve torsos...

"The Phoenician goddess of fertility and sexual love, she is also regarded as a moon goddess." Quote from the monograph "Anita Huffington," Photographs by David Finn...

Kestrel, Limited edition Cast Bronze by Paul Harvey This is an edition of 12 Cast by the Pangolin foundry, one of the best foundries in Europe, they are meticulous in every detail ...

Barn Owl, Limited edition Cast Bronze by Paul Harvey This is an edition of 12 with only 3 editions remaining Cast by the Pangolin foundry, one of the best foundries in Europe, they ...

Caroline started this sculpture when pregnant with her first child. She found becoming a mother an incredibly inspiring experience and wanted to reflect on the real privilege it was to watch her children grow and develop. This sculpture is available in an edition of 5 in foundry bronze. Caroline Russell...

One of the first sculptures Caroline made after her second child was born. Her children and her often used to sit in this position when they were small. They both used to want to sit on her lap at the same time, so sat on one knee each. Caroline Russell...

In this sculpture, started soon after the birth of Caroline's first child, the new baby is the focus of attention for both parents. This sculpture is available in an edition of 5 in foundry bronze. Caroline Russell...

This piece was inspired by Caroline's own family, both past and present. She grew up with a younger brother, and had two children boy and girl herself. Caroline Russell...