Giuseppe Palumbo

Chair 4 (Red)

Painted cast stainless steel, patinated bronze, granite base “It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven...

One of a kind. Steel with Rust Patina & Reclaimed Redwood David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10....

Siri Hollander, born in New York, lived most of her childhood in Andalusia, Spain, where the local community revolved around fairs and fiestas. Influenced by a family of artists and ...

Siri Hollander, born in New York, lived most of her childhood in Andalusia, Spain, where the local community revolved around fairs and fiestas. Influenced by a family of artists and ...

After years of autodidactic experimentation, Troy Pillow has developed a uniquely whimsical style of kinetic and static sculpture. Pillow is inspired by the contrasting forms of orga...

David Tanych has been building objects since his father gave him a saw, hammer, nails and a block of wood at the age of 10. A veteran home and furniture builder, David turned his in...

Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...

French designer and graphic artist Stéphane Gautier draws on a unique talent for deciphering symbols and images in his art and transforming them into ...

The Aurora-Rhoman Institute of Archaeology and Cultural Relics explains- "This is the most complete example of a Unicorn T-Rex Skull that has ever been discovered. During the Auroral...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...