Sculptured polychromed Female modelled Head from artist workshop.

Unknown

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sculptor Julien...

The German sculpture Franz Josef Steger (1845-1938), under the guidance of Professor Wilhelm His (1831-1904) and based on the designs of anatomist Carl Ernst Bock (1809-1874), revol...

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sculptor Julien...

Gustave FONTAINE ( Etterbeek 1877-1952 Brussels). Sculptor–painter. Took courses in Saint-Josse-ten-Noode, continued his training at the Academy of Brussels and with the sculptor Julien Dillens...

Gustave FONTAINE ( Etterbeek 1877-1952 Brussels). Sculptor–painter. Took courses in Saint-Josse-ten-Noode, continued his training at the Academy of Brussels and with the sculptor Julien Dillens...

Saint Erasmus or Saint Elmo (Antioch, ca. 240 – Formia, 303) was an Italian bishop and patron saint of the sailors. His attribute was the capstan, a winch on which the anchor chains were rolled up. He died as a martyr for his faith, and his bones were transferred to Gaeta in the 9th century, where they are kept in the cathedral to this day. The electric phenomenon of Saint Elmus fire is named after Saint Erasmus and the 16th C humanist Desiderius Erasmus. Little is known with certainty about Saint Erasmus' life. However, many legends may have been passed on orally until - no older writings are known with certainty. His birthplace was in present-day Syria. However, the persecution of Christians under Emperor Diocletian forced him to flee to Mount Lebanon...

This patinated plaster art nouveau bust is of a classic figure wearing a turban-style headpiece. The neck has beautiful proportions on the front and ...

This piece stands 30 inches tall, a very statuesque pose for the Ibex, the fur and body details are also well defined as one can imagine this wild mountain goat in the most natural o...

This work is part of our exhibition America Coast to Coast: Artists of the 1930s Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the...

Art Deco French bronze sculpture of panther and gazelle by Alexander Ouline portrays animals in action, a kind of abstract forest floor in bronze all mounted on a wooden base. Ouline...

This lovely powder box in an art deco style features a woman in a black and yellow patterned dress. The box is French porcelain, made and hand painted in ...

Bronze art deco ram sculpture by Paul A. Lobel from the RKO Roxy Theater, Rockefeller Center, New York. Hand wrought. Provenance: RKO, Roxy Center Theatre; Mr. Eugene Lee Schoen; Mr. Neal Prince & Mr. Herbert Wade Hemphill Jr.; Mr. Neal Prince; The Trust of the above; Heritage Auctions. Presented by Joseph Dasta Antiques Paul Lobel (1899 - 1983): The accomplishments of Paul A. Lobel, industrial designer, metalsmith, sculptor and cartoonist/illustrator, may be viewed as the quintessential American success story. Born in Romania, at the turn of the century, he emigrated to the United States while an infant, and, from humble beginnings on Manhattan’s Lower East Side, grew up to attain a one-man show in Paris in 1925, win two awards at the International Exposition of Decorative Arts in Paris in 1932, be the subject of two exhibitions at the American Museum of Art and The Museum of Modern Art in New York City. He also founded an innovative jewelry and metals studio/shop in New York’s Greenwich Village. Furthermore, his contemporaries regarded him with awe and almost everything he attempted came to fruition. In the summer of 1926 Lobel exhibited 35 works, including drawings, etchings, paintings, metalwork and sculpture, in a one-man show at the Grande Librairie Universelle in Paris. During the next year, he toured London, Rome, Florence, Rotterdam, Brussels and Berlin, then, broke, returned to America where he again rented desk space and tried to resume his advertising career. But he was haunted by the modern design that he had been exposed to in Paris. So, after borrowing money to open a metalwork studio on Lexington Avenue, he sought out architect Eugene Schoen, an enthusiast of modern design, whom he had formerly been introduced to by Boardman Robinson. Schoen was in the process of opening a gallery devoted to showing the work of designers and craftsmen imbued with the spirit of modernism...