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Martin Varo26 Cubes
About the Item
Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In 1970, he moved to Debrecen, Hungary, where he completed several sculptures for public places and was awarded the Munkacsy Prize in 1984.
Receiving a Fulbright scholarship in 1988, Varo became affiliated with the University of California, Irvine, studying the relationship between architecture and sculpture. In 1990, he became the Artist in Residence for a public art project in the City of Brea, California.
Varo lives and works in the USA, in California and Florida, spending summers working in Carrara, Italy.
ART CRITICISM
These echoes and cross-references make Varo a typically post-modern artist. Post-Modernism has been defined as the propensity to recombine elements from existing artistic languages in new ways, rather than striving to invent languages which are completely new. What he lacks, fortunately, is the cynicism which informs so much Post-Modernist art. All his work shows his eye for finely calculated formal relationships. But always, even in the works which are apparently entirely non-figurative, there is a feeling for flesh — in particular for the ripeness of the female body. The fact that Varo prefers to depict this draped rather than nude is perhaps a symbol of his reverence for the mysteries this image contains.
– Edward Lucie-Smith
- Creator:Martin Varo (1943, Hungarian)
- Dimensions:Height: 18 in (45.72 cm)Width: 15 in (38.1 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Atlanta, GA
- Reference Number:
Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In 1970, he moved to Debrecen, Hungary, where he completed several sculptures for public places and was awarded the Munkacsy Prize in 1984. Receiving a Fulbright scholarship in 1988, Varo became affiliated with the University of California, Irvine, studying the relationship between architecture and sculpture. In 1990, he became the Artist in Residence for a public art project in the City of Brea, California. Varo lives and works in the USA, in California and Florida, spending summers working in Carrara, Italy. ART CRITICISM These echoes and cross-references make Varo a typically post-modern artist. Post-Modernism has been defined as the propensity to recombine elements from existing artistic languages in new ways, rather than striving to invent languages which are completely new. What he lacks, fortunately, is the cynicism which informs so much Post-Modernist art. All his work shows his eye for finely calculated formal relationships. But always, even in the works which are apparently entirely non-figurative, there is a feeling for flesh — in particular for the ripeness of the female body. The fact that Varo prefers to depict this draped rather than nude is perhaps a symbol of his reverence for the mysteries this image contains. – Edward Lucie-Smith SELECTED SOLO EXHIBITIONS 2008 Galerie du Soleil, Naples, Florida 1994 New York, Consulate of Republic of Hungary
1987 Cultural Center, Lage, Germany
1986 Behr Mobelhaus, Stuttgart, Germany
1986 Satoraljaujhely, Hungary
1986 City Hall, Gerlingen, Germany
1986 Exhibition Hall, Herrenberg, Germany
1985 Keszthely, Hungary
1985 Dunaujvaros, Hungary
1984 Vigado Gallery, Budapest, Hungary
1981 Mucsarnok, Exhibition Hall, Budapest, Hungary
1978 Mora Ferenc Museum, Szeged, Hungary
1977 Studio Gallery, Budapest, Hungary
1976 Nyiregyhaza, Hungary
1975 Studio Gallery, Budapest, Hungary
1970 Mamaia, Romania
1969 Oradea, Romania SELECTED PUBLIC COLLECTIONS “Annunciation”, Ave Maria, Florida Garden of Hope and Courage, Naples, Florida
Schermerhorn Symphony Center, Nashville, Tennessee
TCU, Fort Worth, Texas
Kyongnam Province Parlament, Korea
NTNU Institute of Technology, Trondheim, Norway
Nancy Lee & Perry R. Bass Performance Hall, Fort Worth, Texas
Tustin Ranch Marketplace, Tustin, California
Art Institute of Southern California, Laguna Beach, California
Pereira Sculpture Garden, UCI, Irvine, California
Plaza of the Americas, Dallas, Texas
Peace Memorial, Palm Desert, California
Breaking Free, City Hall, Brea, California
Anavros Sculpture, City of Volos, Greece
Central Finland Museum of Art, Jyvaskyla, Finland
Stedelijk Museum, Amsterdam, Holland
Collection of the Ministry of Culture, Budapest, Hungary
National Gallery, Budapest, Hungary
Mora Ferenc Museum, Szeged, Hungary
Deri Museum, Debrecen, Hungary
Government Administration Building, Debrecen, Hungary
Kalvin Plaza, Debrecen, Hungary
Berettyoujfalu City Hall, Hungary
Congress Convention Center, Budapest, Hungary
City of Burgas, Bulgaria
City of Debrecen, Hungary
Debrecen Clock Tower, Hungary
Szombathely City Hall, Hungary
Debrecen New Post Office, Hungary
Mateszalka Textile Factory, (BFK)
Berettyoujfalu Elzett Works, Hungary
City Sculpture Garden, Prilep, Macedonia, Yugoslavia
Dr. Petru, Groza City, Romania
Muzeul Tarii Crisurilor, Oradea, Romania
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