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Nicholas CrombachEspalier: Candelabrum2021
2021
About the Item
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr in Montreal (Fall 2017) and reviewed in the Summer 2018 issue of Border Crossings Magazine and Vie des Arts (Winter 2017-18). His most recent solo exhibition, The End Of The Chase, was exhibited at New Art Projects (London, UK, 2018), Art Mûr Berlin (2018), and Art Mûr Montréal (2019). In 2016-17, Crombach participated in a year-long studio residency at The Florence Trust in London, UK, and will be participating in the MASS MoCA studio residency in 2020.
- Creator:Nicholas Crombach (1989, Canadian)
- Creation Year:2021
- Dimensions:Height: 89 in (226.06 cm)Width: 48 in (121.92 cm)Depth: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4767912232
Nicholas Crombach (BFA, 2012) currently works in Kingston, Ontario. He has been awarded the Elizabeth Greenshields Foundation Award and is the recipient of grants from the Toronto Arts Council, The Ontario Arts Council, and Canada Council for the Arts. In 2017 Crombach presented a solo exhibition, Behind Elegantly Carved Wooden Doors, at Art Mûr Montreal receiving reviews in Border Crossings Magazine (summer 2018) and Vie des Arts (Winter 2017-18). His solo exhibition, The End of the Chase, travelled in 2018-2019, exhibiting at New Art Projects in London UK, Art Mûr Berlin and Art Mûr Montréal. In 2019 Crombach produced an exhibition of collaborative works with artist Nurielle Stern entitled Whale Fall, presented at The Canadian Clay and Glass Gallery in Waterloo. He has been awarded several major commissions for public sculpture, including Billy, Nanny, and the Kids, in Burlington, ON, and Horse and Cart located in Victoria Park, Kingston, ON. He is currently working on Flock, for Niagara Falls Exchange in Niagara Falls, ON and Wind Vane for Florence Carlyle Park in Woodstock, ON. In 2016-2017 Crombach participated in a year-long residency at The Florence Trust (London, UK), and most recently was artist-in-residence at The Studios at MASS MoCA (July 2022) in North Adams, Massachusetts.
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- Chew Toys 2Located in Montreal, QuebecIn his recent works sculptor Nicholas Crombach uses the markers of tradition to critique social rituals. Through the employment of the mythology and the rich visual culture of the hunt, Crombach assembles works which revel in contradiction. He has created a series of unexpected juxtapositions that examine the cultural significance and the complex issues percolating around hunting and sporting traditions in the 21st century. For this exhibition, Crombach riffs off the myth of Diana and Actaeon, which provides a poignant framework for his theme. In the original story, Actaeon, the hunter and grandson of King Cadmus, is in the forest with his dogs, when he spies Artemis (Diana) in her bath attended by her nymphs. Diana was the goddess of the hunt, but when the mortal Actaeon sees her, her nymphs try to cover her modesty. She splashes him with water, turning him from a mortal man into a stag, who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon as he transforms the lofty and classical story of metamorphoses into a game of fetch in the local park, constructed on a grand scale. In Fetch (2018), Crombach creates a hybrid between the art historical imagery from paintings of hounds hunting stags with the flashy colours and synthetic materials of modern day dog chew toys. The sculpture is displayed alongside a variety of chew toys that act as an index for the sculptures interpretation, some transformed into porcelain that has been marked with the aristocratic hunting motifs found on antique English pottery. Here, the assembly of works create a conversation on the blurred boundaries between: histories of domestication, the working relationships we have with animals, contemporary issues of hunting as “play”, tradition and survival. A second major new sculpture “End of the Chase” is a collapsed version of a Victorian period rocking horse housed in London’s V&A Museum Of Childhood. The sculpture responds to the 2014 hunting act that passed in Britain which in turn attempts to obliterate the tradition of hunting with hounds, most commonly associated with the fox hunt...Category
2010s Contemporary Figurative Sculptures
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