Orly Montag

Swimmer I - figurative sculpture

2023

This sculpture is from Orly's latest body of works. It is part of an edition of 3 and comes signed and numbered. It is made of Jasmonite casting and covered with acrylic paint. "I st...

This sculpture is from Orly's latest body of works. It is part of an edition of 15 and comes signed and numbered. It is made of Jasmonite casting and covered with acrylic paint. "I ...

This Plexiglas Buddha trio is a set of 3 Mini bu statues in Gold (medium), black (mini) and grey (mini). It's an edgy shelf /desk decor, that will start off...

These colorful meditating Buddha silhouette statues are laser cut Plexiglas and acrylic hand-painted. They can stand alone, or come in couples, trios or more... This is a unique sta...

This standing kinetic sculpture by Tal Nehoray is from her latest body of works and is made of 2 hand made sculptures: a heart and a brain that are mounted on metal base. Both sculpt...

These colorful meditating Buddha silhouette statues are laser cut Plexiglas and acrylic hand painted. They can stand alone, or come in couples, trios or more... This is a unique statue that will start off a conversation and will bring a stylish decoration into your home/ office/ studio or business. It's the perfect gift to someone you love, or when you want to leave an impression. The meditating Buddha statue...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Hybrid II by Polly Little (2022). Plaster and acrylic paint.

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...