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Geneviève ClaisseUntitled (Blue)2016
2016
About the Item
Geneviève Claisse
Title: Untitled (Blue)
Year: 2016
Medium: Mixed Media on Plexiglass
Signed and numbered by hand
Edition: 30
Size: 15.6 × 15.6 on 19.5 × 19.5 inches
COA provided
Geneviève Claisse (born 1935, in Quiévy), is a French geometrical abstract painter.
A relative to Auguste Herbin, born in the same place, her painting vocation was born through reading the magazine Art d'aujourd'hui, tribune of geometrical abstraction.
Claisse is the great niece of abstract painter Auguste Herbin, a founder of the Parisian association of artists Abstraction-Création. Herbin saw Claisse's work for the first time when she was eighteen years old, and encouraged her to continue painting. In Herbin's mind, Claisse was "le successeur désigné par le destin et par l'hérédité" ("the successor appointed by destiny and heredity"). Like Herbin, Claisse's work shows a devotion to the ideals of formal purity and the perfection of execution. At this young age she worked tirelessly, often working at night after a day in the studio, carefully painting abstract forms on bold, colorful canvases.
- Creator:Geneviève Claisse (1935 - 2018, French)
- Creation Year:2016
- Dimensions:Height: 19.5 in (49.53 cm)Width: 19.5 in (49.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:
Geneviève Claisse
Geneviève Claisse was born in Quiévy in 1935. Its pictorial vocation is born from the reading of the magazine «Art d'aujourd'hui», tribune of geometric abstraction. Her work is a rigorous exploration of this path and she will never be tempted to stray from it. “Schoolgirl, I was already abstract,” she said. In 1958, she adhered to the ideas of the current Abstraction Création created by Herbin. In 1960, his contribution to the Salon de Mai shows a work of organization of space rich in colors, where already the play of simple forms and that, subtle, of colors, strike by its vigor and its sensitivity. In 1961 her first exhibition was organized at the Denise René Gallery in Paris, where she has been exhibiting regularly. In the 1965’s, she accentuated the work on color. It was during these years that Geneviève Claisse stood out from the influence of Auguste Herbin and Mondrian. In the mid-1960s, triangle and circle become, treated separately, its formal vocabulary which introduces it into kinetic research applied to surfaces. It then focuses on the purification of its creations, always and inevitably geometric, both in terms of shape and color choice. Reflections and research accompany an overflowing creativity, in parallel with the development of optical art and kinetic art. In 1967, the Musée des Beaux-Arts de la Chaux-de-Fonds exhibits works from the past ten years, then a great Swiss collector exhibits in Zürich, alongside works by great masters of contemporary art, about thirty paintings of Claisse acquired between 1959 and 1967. Other important exhibitions will show his work over time (Oslo, Alençon, Lille, etc.). In 1989, a retrospective of his work was organized at the Matisse Museum in Cateau-Cambrésis. She died in Dreux on 30 April 2018.
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