Grayson Perry

Piggybank (2019) (signed)

2019

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Well modeled 19th century French bronze of a standing naked woman. Signed Cartinet, this piece is a wonderful example of the skill of a Sculptor. The piece retains all its origina...

Thomas Spencer was a leading sporting and equestrian artist of the period of John Wootton and James Seymour; his art shows a considerable to debt to tha...

Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...

Wonderful French mid-20th-century portrait of a young girl holding her hand up. The artist was a highly talented painter in the Cubist style. He painted interiors, portraits, and la...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

Hung Yi was born in Taichung, Taiwan in 1970. The artist’s works are inspired by Taiwanese culture or day-to-day life in Taiwan. In the 1990s, it was popula...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...

After visiting the underworld of overconsumption in "Made in China" (All you can eat and Electronic Village, 2008), Giboulo gravitates to a different aspect of economic globalization and urbanization in this work: the uncontrolled growth of slums (principally in the Southern hemisphere and the East), where the statistics are alarming. As life in the country becomes increasingly difficult, the migration of their agrarian people to urban centers regularly transforms the hopes and dreams of rural dwellers into a second nightmare. In truth, it is more accurate to speak of over-urbanization, of “slumization” - to borrow the term from the sociologist Mike Davis...

Karen Kuo 'Cobblestone Nerikomi Bowl,' 2022 Colored porcelain, ^6 oxidization 5.25 x 5.25 x 4 .2 inches ━━━ (This piece is part of the exhibition titled 'WO...

Karen Kuo 'Galaxy Cup No. 11,' 2022 Colored porcelain, ^6 oxidization 3.5 x 3.5 x 2.75 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LAD...