pandasan flowerpower

View Similar Items

Hung Yi - Sheep

Chen Zhiguang - Contemporary Stainless Steel Sculpture-Unique work - Tree is not Wood #1

Chen Zhiguang - Contemporary Stainless Steel Sculpture-Unique work - Tree is not Wood #2

Liechennay - Ascent - 21st Century, Contemporary, Abstract Sculpture, Stainless Steel

Liechennay - Exploration - 21st Century, Contemporary, Abstract Sculpture, Stainless Steel

Liechennay - Air - 21st Century, Contemporary, Abstract Sculpture, Stainless Steel

Liechennay - Eternity - 21st Century, Contemporary, Abstract Sculpture, Stainless Steel

Liechennay - Solar Eclipse - 21st Century, Contemporary, Abstract Sculpture, Stainless Steel

Matt Gil - Bad Zipper

Jason Kimes - Nest - large, complex, geometric, abstract, stainless steel, outdoor sculpture

Jason Kimes - After Bathsheba - large, male nude figure, stainless steel outdoor sculpture

Paul Villinski - Aerialist

Want more images or videos?

Request additional images or videos from the seller

1 of 5

Hiro Ando
pandasan flowerpower
2015

About the Item

Mint condition Ships from France The artwork is signed and numbered base of the sculpture ....../8 The artwork come accompanied with a formal Certificate of Authenticity issued by the Studio of the Artist: CrazyNoodles and signed by the Artist. This artwork come directly from the Artist's Studio : Studio CrazyNoodles This rare and important sculpture in the round is by famous Japanese Pop artist Hiro Ando. From an edition of just 8 , this stunning work depicts Ando's famous pandasan whose surface is stainless steel carved painted and varnished playing with ideas of luxury, status, tradition, kitsch, and high versus low art in a fresh and exciting manner Ando is internationally acclaimed for his sculptures and paintings with unexpected colors and surface treatments that conflate modern Japanese icons such Hello Kitty, the Cat, the Panda, with traditional Samurai Warriors and the Sumo Wrestlers, creating a very contemporary dialogue between the past and present, East and West in very contemporary and unexpected ways that have made him one of the most notable Japanese Contemporary artists of his 1980's generation “Drawing on ideas of collectability and fantasy, Japanese artist Hiro Ando combines tradition with contemporary culture in his sculpture work…. Ando’s editioned sculptures resemble enlarged toy cartoon characters and bear the names SumoCat, Samurai Cat, UrbanCat, and RobotCat. They’re mainly monochrome and glossy, a few are enrobed in rhinestones or hand-painted. Ando’s work is the creative fruit of Japanese mass culture. adsense ban . His cat figures are reminiscent of maneki-neko (literally, “beckoning cat”), a ubiquitous Japanese cultural icon symbolizing good luck; maneki-neko figurines can be found in nearly every souvenir store and restaurant in Japan. Ando’s cats also resemble a masculine version of Hello Kitty, another emblematic feline character that originated in Japan. Ando’s work shares the neo-pop spirit who refutes the idea that Art is superior to others and aims to demonstrate that popular culture, consumer society and Art are on the same floor and can cohabit in the same image, though Ando’s sculptures do not convey the overt eroticism and darkness that most of them’s work do. Ando expresses a lighter side of neo-pop, highlighting that contemporary art can be both fun and have wide appeal“ Makiko Whole – Publications Coordinator at The Museum of Modern Art New York , New York Being a world-class metropolis, Tokyo is a place of endless happenings, beginnings, and a plentiful history. With so much to offer, it’s no wonder many find inspiration in its content, both present and past, and Hiro Ando is no exception. Depicting the scenery of the city with a traditional nuance, Ando adds the contemporary element into his paintings, drawings, and recently sculptural work, mostly influenced by the Japanese Manga. As one of the founding members of the CrazyNoodles collective studio, Ando and his work represent the light, fun side of the neo-pop culture. Merging Traditional With Contemporary Acquiring his degree from the University of Art, Hiro Ando began his prolific career in 1995 in Tokyo, depicting its nighttime urban landscape. With a lot of inspiration, the streets proved to be an endless source of material for his narratives which often included the red fish in addition to the urban background. The act of the red fish in his paintings greatly reminds of the ancient Japanese watercolor paintings, thus making his work permeated with both a contemporary and traditional feeling. With his artistic beginnings tied to illustration, he would draw several sketches before actually working on the canvas, and his practice has since spread to video material, digital support, and sculpture. Adding Sculpture to the Fold Being a multidisciplinary artist, Hiro Ando had added sculpture to his portfolio, creating artwork that furthers his conjunction of old and new. Built upon the traditional maneki-neko, standing for “lucky cat” within the Japanese mass culture, Ando constructs cat-like figures assuming various forms like samurai, sumo, and robot. Their outlook reminds of Japanese modern Manga, a world that influenced the youth of the artist profoundly, instilling Ando’s sculptures with a light, approachable line. Adding to it are the bright, often monochrome colors, and the smooth, shiny materials including resin, porcelain, bronze, and even diamonds, making his works representative of the contemporary neo-pop art. A Modern Samurai By adding the element of tradition to the popular Japanese culture, Hiro Ando creates an alluring portfolio that is easily paving its own road within the contemporary art world. Likable and easy on the eye, the cat-like sculptures became his signature mark and are uplifting Ando in the current art scene. Posing a new view on the traditional norms, Ando is a modern samurai of the Japanese art. Hiro Ando currently lives and works between Tokyo and Shanghai. What Is Kawaii? The Japanese concept of kawaii—best translated as “cuteness”—has grown from a national trend to a global phenomenon. Sanrio’s Hello Kitty has been valued at $7 billion; the Oxford English Dictionary named an emoji its 2015 Word of the Year; and Nintendo’s Pokémon Go recently became the most downloaded game in smartphone history. The kawaii movement is wide in scope, spanning Manga comics, Harajuku fashion, and Takashi Murakami’s “Superflat” artworks, but what’s behind the aesthetic, and why is it so popular? Japan’s culture of cute began in the 1970s with a youth movement developed by teenage girls, involving handwriting in a childlike style. The new script was given a variety of names, such as marui ji (round writing), koneko ji (kitten writing), and burikko ji (fake-child writing), and featured text with stylized lines, hearts, stars, Latin characters, and cartoon faces. Many scholars cite this trend as a reaction against the rigidity of post-World War II Japan, as the pursuit of kawaii enabled youth to find a sense of individuality and playfulness in an increasingly serious and depersonalized environment. While many schools initially banned this writing style, advertisers quickly caught onto the trend, using the new aesthetic to market products to the younger generation. In 1974, the stationary company Sanrio launched the character of Hello Kitty, printing the now-iconic whiskered white cat on a vinyl coin purse. Forty-two years later, Hello Kitty has been placed on over 50,000 products in more than 70 countries, including toaster ovens, alarm clocks, airplanes, and even sex toys. In 2008, Japan named Hello Kitty as its tourism ambassador, an official invite to the rest of the world to join in on the adorability binge that is kawaii. But Hello Kitty is not alone. In fact, each of Japan’s 47 governmental offices has its own kawaii mascot, such as the rosy-cheeked bear Kumamom for the bullet train and the wide-eyed Prince Pickles for the police force. Pokémon has developed another 700 kawaii creatures over the past 20 years, some of which are currently running virtually rampant in cyberspace. Emojis, bitmojis, and even those adorable Casper subway advertisements all take root in the kawaii philosophy. While kawaii characters are diverse, spanning species both real and imagined, they often follow a basic formula. Kawaii creatures have limited facial features—two wide eyes, a small nose, and maybe a dot for the mouth—rendering them emotionally ambiguous and enabling viewers to project upon them. (For this reason, iPhone emojis have been criticized as not kawaii enough by some Japanese consumers because they feature a greater amount of emotional specificity.) Almost always outlined in black, kawaii characters are pastel-colored, graphically simple, and childlike. Designed to elicit a sense of nostalgia, they often feature big heads and little bodies in order to match the proportions of infants and baby animals. Scholars have suggested that people grow attached to kawaii characters precisely because of their youthful nature, which elicits the evolutionary impulse to care for the young. “Hello Kitty needs protection,” the sociologist Merry White once explained. “She’s not only adorable and round, she’s also mouthless and can’t speak for herself.” Tamagotchis—a nostalgia-inducing timecapsule for those who came of age in the ’90s—are Japanese gadgets that epitomize this theory, as they require users to look after small digital pets that are sweet and helpless. Reportedly, some Pokémon Go users have opted out of evolving their pokémons, preferring to keep them in an infantile state rather than growing their powers. The effect of the aesthetic is also to return us to a childlike state. Many from the so-called kawaii generation also desire to be kawaii themselves, whether through infantile voices or juvenile dress. For example, the kawaiitrend of “Lolita fashion” promotes a Victorian style of clothing, ripe with innocent-looking petticoats, ruffles, pastel colors, and large ribbons and bows. Whether Lolita-kawaii is named after Vladimir Nabokov’s controversial novel or is Japanese in origin, however, is still a hotly debated topic. The Lolita aesthetic is not the only sub-brand of kawaii thriving today.Guro-kawaii (grotesque cute), ero-kawaii (erotic cute), kimo-kawaii (creepy cute), and busu-kawaii (ugly cute) have all emerged as alternatives to the more traditional style of Hello Kitty and Pikachu. Meanwhile, contemporary artists Murakami and Yoshitomo Nara have ushered kawaii into the fine arts, creating their own series of wide-eyed characters that range from the vapidly cute to the uncomfortably sinister. In his paintings and sculptures, Murakami reminds viewers that the style of kawaii carries with it a certain darkness. His depictions of cartoon mushrooms, for example, appear entirely joyous at first glance, but also recall the bombings of Hiroshima and Nagasaki. For Murakami, the kawaii aesthetic acts as an enduring symbol of the infantilized nature of occupied Japan after World War II—a manner through which people found escape from the trauma of war. Since its beginnings, the kawaii craze has been a rebellion against the seriousness of adulthood—a counterbalance to the harshness of the real world. Under the strain of a polarizing election cycle, it is perhaps no wonder why over 15 million people have decided to temporarily tune out the news for a dive into Pokémon Go. The app invokes the child within, encouraging users to find imaginary friends and care for them, or at least so I’ve heard. This writer is still at level one. Sarah Gottesman

Creator:
Hiro Ando (1973, Japanese)
Creation Year:
2015
Dimensions:
Height: 39.38 in (100 cm)Width: 35.44 in (90 cm)Depth: 35.44 in (90 cm)
Medium:
Stainless Steel
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
PARIS, FR
Reference Number:
1stDibs: LU40231440833

Shop All Hiro Ando

Hiro Ando

Hiro Ando, often hailed as the "Nippon Neo Pop Pope," is an artist whose work is a vibrant testament to the fusion of traditional Japanese culture with the pulsating rhythms of modern life. Born and raised in the bustling metropolis of Tokyo, Ando has become a key figure in translating the city's dynamic energy into captivating artistic expressions. His journey in art is marked by a blend of traditional motifs and contemporary pop culture, particularly influenced by the world of Japanese Manga. Early Artistic Ventures and InspirationsAndo's artistic journey began after graduating from the University of Art. He started his career in Tokyo in 1995, drawing inspiration from the city's vibrant nightscapes. His early works predominantly featured urban settings, often accompanied by the motif of a red fish, a symbol that harkens back to the classic Japanese watercolor paintings. This juxtaposition of modern urban elements with traditional symbols became a hallmark of his style, a fusion that resonated with a contemporary audience while paying homage to the rich cultural heritage of Japan. Transition to Multidisciplinary Artistry From illustrations and paintings, Ando expanded his creative explorations to include video, digital media, and, notably, sculpture. As a founding member of the CrazyNoodles collective studio, he played a significant role in shaping the light and fun side of neo-pop culture. His sculptural work, in particular, garnered significant attention. Ando’s sculptures are an extension of his artistic narrative, combining the traditional Japanese symbol of the maneki-neko (lucky cat) with various forms reflective of modern Manga culture, such as samurai, sumo wrestlers, and robots. These sculptures, often characterized by bright colors, glossy finishes, and sometimes adorned with diamonds, resonated with the ethos of contemporary neo-pop art, bridging the gap between the past and the present. Hiro Ando: The Modern Samurai of ArtAndo’s creations, particularly his cat-like sculptures, have become synonymous with his identity as an artist. These works not only showcase his ability to blend traditional Japanese motifs with contemporary themes but also reflect his personal journey and evolution as an artist. His choice of subject matter and materials makes his art accessible and relatable, yet deeply rooted in the rich tapestry of Japanese culture. Ando, in many ways, represents the modern samurai of the art world, navigating the realms of tradition and modernity with grace and innovation. Makiko's observationsMakiko Whole (Publications Coordinator at The Museum of Modern Art New York) in her role at The Museum of Modern Art in New York, has observed the global impact of artists like Hiro Ando, who bring an innovative fusion of traditional and contemporary motifs to the international art scene. She notes that Ando's distinctive sculptures, which cleverly blend the playful essence of maneki-neko with the stoic grace of samurai and sumo warriors, embody a new form of artistic expression that transcends cultural boundaries. These sculptures, while deeply rooted in Japanese tradition, speak a universal language of creativity and imagination, appealing to a diverse global audience. Whole emphasizes that Ando's work is a vital contribution to the narrative of contemporary art, showcasing how traditional symbols can be reimagined to reflect modern sensibilities. She regards Ando as a trailblazer who has successfully bridged the gap between the old and the new, making him a pivotal figure in the ongoing dialogue about the evolution of art in the context of cultural exchange and globalization. Embracing Anonymity in the Digital AgeIn recent years, Hiro Ando has taken a step back from the public eye, a decision that sparks curiosity and debate about the role of an artist in society. In an era where social media presence is often seen as integral to an artist's success, Ando's choice to embrace anonymity raises questions about the relationship between an artist and their audience. This decision reflects a deeper philosophical stance on the nature of art and the artist's obligation (or lack thereof) to the public. It suggests that art can stand independently of the artist's public persona, allowing the work itself to communicate with the audience. Ando's retreat from the public spotlight is a bold statement in the contemporary art world, challenging conventional notions about fame, publicity, and the essence of artistic expression. In conclusion, Hiro Ando's career is a vivid illustration of an artist's journey through the evolving landscapes of culture and expression. His work encapsulates the spirit of neo-pop art, blending traditional Japanese aesthetics with the vibrancy of modern life. As he continues to evolve and explore new dimensions of creativity, his contributions to the art world remain an enduring testament to the power of cultural fusion and artistic innovation.