Bronze Sculptures

"Geisha" by Kevin Barrett Unique bronze sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Metal, Bronze, Table...

Arnaldo Pomodoro Plaque (Placca), 1980 Bronze 3 4/5 × 3 4/5 inches Edition of 500 Incised signature on the front top left, and foundry mark on the bottom; Rotary Club of Palermo plaq...

2013 Bronze 18 1/10 x 23 7/10 x 12 inches Edition of 20 Signed, dated, and numbered, base Osvaldo Mariscotti’s art is an art of fundamentals: color, line, and the possibilities inhe...

"Songbird" Bronze and Marble sculpture 22.5" x 5" in by Ibrahim Abd Elmalak Songbird, 2008 Bronze & Marble 57 x 13 cm, Signed & Dated Sculptures that mostly depict his characteri...

Bronze Black Sculpture 'O.T. 2' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze black sculpture Bronze patinated Certificate of authenticity Numbere...

This artwork is a multiples limited not numbered specimens created by the Italian artist Ugo La Pietra, a well known Internationally artist. Ugo La Pietra was born in Bussi Sul Tir...

This very interesting abstract bronze sculpture, it is one of a kind artwork, created in 1979 by the Italian artist Graziano Pompili, The title "Paesaggio con ombra", is translated ...

Artist: Kuno Vollet Title: High Schwerelos Materials: Bronze sculpture with a dark patina on black granite base Size: 90 cm height, base, 6 x 17 x 14 cm Edition of 15

"Metamorphosis" Bronze and Marble sculpture 22" x 6" in by Ibrahim Abd Elmalak Songbird, 2004 Bronze & Marble 56 x 16 cm, Signed & Dated Sculptures that mostly depict his charact...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

This intense white bronze abstract sculpture, it is a multiple in limited edition not numbered. The title is "Paesaggio con ombra", translated in "Landscape with shadow". These bron...

This is an engaging multiple artwork by the Italian artist Robert Nanut, a talented artist of 1980’. This is a multiple of numbered edition of 1.000 pieces. This artwork was made in 1980 but it can be considered new cause remained since now stored and packed in the Editor warehouse. The bronze sculpture is completed by the certificate of authenticity, there is the number assigned to the piece and the original signature of the author. Roberto Nanut...

Black Sculpture 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Finish: Black Bronze Patinated Certificate of authenticity Nu...

Bronze Sculpture 'Bolas IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Patina Certific...

Bronze Black Sculpture 'O.T. IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Certificate of authenticity Numbered and signed artwork L...

Signature is along the bottom edge of the sculpture. The marble base can be substituted for steel for an outdoor setting. The edition is 1/24 with 2 artist proofs. Semaphore Woman II...

"Chrysalis" Bronze and Marble sculpture 19" x 15" in by Ibrahim Abd Elmalak Chrysalis, 2005 Bronze & Marble 48 x 39 cm, Signed & Dated Sculptures that mostly depict his character...

Bronze Black Sculpture 'O.T. VI' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze black sculpture Certificate of authenticity Numbered and signed art...

White Bronze Sculptures 'OPUS' by Carola Eggeling. Abstract sculptures with beautiful curved lines. German bronze sculptures Bronze Lacquered...

Kinetic Bronze Sculpture by Gianfranco Meggiato. In his work, Meggiato gets inspiration from the most mysterious city on Earth, city where he was born, lives and works - Venice. Spa...

"The Sun" is a Modern Art and contemporary sculpture. "The Sun" is a unique and one of a kind, since there are no other copies available besides this original....

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

The artwork is a patinated bronze on a marble base. It features a dancing couple. The bronze itself is 10"25 H. It is signed in the cast: S. Carl Overall excellent condition with minor scuffs and oxidation to bronze commensurate with age. Joan Strauss Carl...

Golden kinetic sculpture by Gianfranco Meggiato, bronze. In his work, Meggiato gets inspiration from the most mysterious city on Earth, city where he was born, lives and works - Ven...

Contemporary Geometric Abstract Sculpture Bronze Unique Italian European 1983 Triangle, 1983, bronze. 6 x 12.25 x 2 inches. Signed and dated on both the sculpture and the base BIO Bruno Romeda is a complete artist because all his work always begins by a joining of twigs, rods and sticks, keeping tension and balance. Inspired by primitive geometric forms, as circle, square and triangle, Romeda is playing with projected shadows. As handed-tracks lines, his sculptures and his furniture are casted in bronze in his Italian workshop in Brescia. We find out same figures casted in bronze in bases, retaining structures on which seats, chairs, tables or pedestals are resting. Romeda’s furniture gets perfect shapes from a sort of fossilized nature. The technical perfection, the harmony of proportions and bronze work, summarize Bruno Romeda’s work. Romeda was born in 1933 in Italy and died in 2017. He lived in France, New York and Brescia. The work of Romeda has been exhibited in numerous cities; his first personal exhibition took place in Brussels in 1962, followed by solo shows in Paris, New York, Barcelona, San Francisco, Monte Carlo, Baltimore, berlin, Erbusco (Italy), Venice or Tokyo. A significant number of museums own pieces of the artist such as the Metropolitan Museum of New York, the Kasama Nichido Museum of Art in Japan, the Contemporary Art Museum of Nice, or the Robert College...

23.5cms high x 8 x 11 Bronze above a composite base. Unique variation Stamped with monogram signature. Lacquering protects the natural bronze surfaces against tarnishing by touch. We...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

41.5cms high x 29.5 x 8 Bronze freely rotating on a composite base Unique Stamped with monogram signature and uniquely numbered 737B The cut out is hand cut with a frayed edge and wi...

8cms high x 24 x 17.5 Bronze Series of variations Stamped with monogram signature and uniquely numbered 851B The edge in natural bronze is finely rubbed and lacquered which prevents...

46 high x 10 x 10 cm Bronze on a composite base Stamped with monogram signature and uniquely numbered 873 Unique Natural bronze elements on the edges and face are protected by lacque...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

91 high x 34 x 34 cm Bronze on a circular oxidised brass base Series of variations Stamped with monogram signature and uniquely numbered 694A The sweeping curve on the face is finely...

30 x 30 x 18cms high Bronze on a stainless steel base. Edition of 9 variations Stamped with monogram signature and uniquely numbered 287, 9/9 on underside of base. The edges in natur...

26 high x 12 x 11 cm Bronze on a Jesmonite base Stamped with monogram signature and uniquely numbered 864 Unique The two distinct colourings are separated by natural bronze edge in a...

34.5cms high x 27.5 x 10 Bronze on a Cumbrian slate base Stamped with monogram signature and uniquely numbered 865 Unique The two shades of colouring are separated by natural bronze ...

37 high x 20 x 10 cm Bronze on a pigmented Bath stone base Stamped with monogram signature and uniquely numbered 872 Unique The two shades of colouring are separated by natural bronz...

As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March, he produced monumental pieces that alternated between figurative and abstract styles. While he was a dedicated sculptor, Pavia extended that passion into writing and published It is: A Magazine for Abstract Art. Born in 1911 of Provencal-Italian descent, the Stratford, Connecticut native received early inspiration from his father, a professional stone cutter. Pavia's sculptures are characterized by rough, chiseled bronze and marble, his father's trade was no doubt a significant influence. In fact, by 1934, his father was so enthusiastic about his son's passion that he encouraged young Philip to study at the Academia delle Belle Arti in Florence, Italy. Before his studies in Europe, Pavia was briefly a student at Yale University but quickly dropped out and enrolled at New York's Art Student League. While attending school, he befriended artists Jackson Pollock and Arshile Gorky. All three were to become major players of the vibrant new Abstract Art movement. At his father's advice, Pavia embarked on his European experience and was introduced to other influential artists of his time. Traveling between Italy and Paris, Pavia met John Ferren...

37.5cms high x 24.5 x 12 Bronze on a weathered steel base Unique Stamped with monogram signature and uniquely numbered 869 The natural bronze elements are lacquered for protection a...

Artist: Kuno Vollet Title: High Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

"The Man Without a Rod №3" Bronze Sculpture 26x20x9in Ed. 3/8 by Sergii Shaulis Limited Edition 3/8 From "The man without a rod" series Approximate weight 77 lbs. The artist spent almost ten years of his life in the making of this eight-piece series. It is an introspective representation of what he calls absolute hopelessness. “It's about the emptiness of the soul, but it's also about starting anew; when you feel nothing but finding the power inside of you to stand up and move.” ABOUT ARTIST Born on 27 May 1985 in Kharkiv, Ukraine. From 2005 to 2011 studied at the Kharkiv State Academy of Design and Arts, at the Faculty of "Fine Arts" specialty "Easel and monumental sculpture." Now studying postgraduate at Kharkiv State Academy of Design and Arts. Works are in private collections in Ukraine, Israel, Germany, USA, Australia, Finland, Holland, Spain, Belgium, England. Education 2002‑2005 Faculty of Engineering and Physics (NTU KhPI) 2005‑2011 Easel and monumental sculpture (KSADA) 2012-2016 postgraduate education (KSADA) Exhibitions 2007-15 City exhibition HONSKHU. Kharkiv. 2007-14 Ukrainian Exhibition KONSKHU. Kyiv. 2008-11 "The maestro and his students", KSADA. Kharkiv (Audience Award 2009) 2008 11 International Triennial of sculpture. Kyiv . 2009 “Male portrait”, gallery KSADA. Kharkiv . 2009 "You get SMS ", Kharkiv ( Grand Prix "The best sculpture project "). 2009 “Gogol-fest”, Museum Arsenal. Kyiv. 2016 "Corpus", Come in gallery, Kharkiv. 2016 KSADA "Loft", Kharkiv. 2017 “Art seasons”, M17. Kyiv. 2017 Gallery "Semiradskiy", Kharkiv. 2017 "Mundi contraria", M17. Kyiv. 2018 "More than sculpture", ArtUkraineGallery. Kyiv. 2018 “Auguste Rodin. "Premonition of the future...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

This intense and engaging abstract bronze sculpture, it is a multiple in limited edition not numbered, lacquered in black. The title is "Paesaggio con ombra" translated " in " Landsc...

MORGAN ROBINSON Swoon Series I • bronze on granite with black patina 2.50w x 15.50h x 2.50d in $2,400.00

MORGAN ROBINSON The Other Side • reclaimed redwood 10.00w x 77.00h x 10.00d in $8,600.00

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

This work reflects the beauty and nature as interpreted by the sculptor's life in Florida.

2022 Bronze 18 1/2 x 11 1/4 x 7 1/2 in. (47 x 28.6 x 19.1 cm) Unique Signed, dated, and numbered, bottom Osvaldo Mariscotti’s art is an art of fundamentals: color, line, and the pos...

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

This bronze sculpture is made in the lost wax method of casting, and finished by hand. The polished bronze finish is often referred to as a "jeweler's finish." This sculpture rests o...

This limited edition bronze sculpture is made using the lost wax method of casting, and is hand finished. The polished bronze surface is a very laborious surface to produce, with the end result being almost a jeweler's finish. "Solaguavida" translates into "Sun Water...

This limited edition bronze sculpture is made using the lost wax method of casting, with hand finishing. The patina is a liver of sulphur and cupric nitrate recipe. It is meant to evoke the feeling when someone is right on the edge...

Émile Gilioli La Boisselune 1954-59 Bronze 23.6 x 15.4 x 7.9 in, 60 x 39 x 20 cm Signed, dated and numbered on the back: “Gilioli, 59, 1/6" Cast from La Plaine Edition 1/6 P...

This limited edition, bronze sculpture is made using the lost wax method of casting, and is hand finished. The polished bronze finish is a "jeweler's finish." This sculpture rests on...

This limited edition sculpture is made using the lost wax method of bronze casting. The patina is ferric nitrate, which gives it a reddish cast, and the artist has chosen to leave to...

Sculpture by Aleta Aaron Atlanta based sculptor specializing in bronze