Nick Veasey

The Rat Race (Praxinoscope)

2021

Olivia Steele Embrace The Mystery (Infinity Mirror Box), 2019 39.3 x 39.3 x 7.8 inches Hand blown and colored neon, two-way mirror, polished stainless ste...

Olivia Steele Always (Birdcage), 2022 Artist plaque included on reverse Hand blown and colored neon, vintage birdcage, and mirror 9.06 x 9.45 x 4.72 inches Edition of 3 This piece i...

Punk Me Tender 373, 2022 36 x 36 inches Acrylic on silver mirrored canvas with silver mirrored butterfly This piece is unique Signed by the artist Currently on display at Art Angels...

Ali Diptych, Persian Rose 65 x 94 inches Hand pulled acrylic, enamel screen print and diamond dust on linen Signed by the artist Beautifully framed in black Currently on displ...

Ali, Triptych 62 x 142 inches Hand pulled acrylic, enamel screen print and diamond dust on linen Signed by the artist Beautifully framed in black Currently on display at Art A...

NEMO JANTZEN Glamour Signed by the artist Photographs, glass spheres, and resin on wood Content: Travel, city scapes, holidays, summertime, travel, surf etc. Content: Luxury, travel,...

Doug Aitken EveryThing, 2015 Mirror, Fibreglass & resin 92.5 x 119.5 x 12.5 inches Edition of 4 plus 2 AP's Provenance: NB: Available on sale

medium: installation, table, mirror, 20 glass and metal beaded clay sculptures Esperanza Cortés is a Colombian born multidisciplinary artist based in New York City. Cortés has been ...

Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

The artists selected their medium, Metalamirror™, for this work, a self portrait, exposing their inner fears and desires. Look deeply and viewers find more than what meets one's eye....

"Tantalize, Synchronize, Exercise!" is an original metal, mirrored glass, polyester fibre, wire, plastic, and enamel paint artwork by Kendal Murray measu...