Peter Voulkos

Large Tea Bowl (blue glaze)

Circa mid-1990s

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

Rachel Hubbard Kline Brown 10 Petal Plate Medium: Stoneware, underglaze, glaze Year: 2021 Size: 1 1/4" x 7 3/4" x 7 3/4" Description: Wheel-thrown plate wi...

Rachel Hubbard Kline Twelve Pattern Plate Medium: Stoneware, underglaze, glaze Year: 2021 Size: 1 1/2" x 8" x 8" Description: Wheel-thrown plate with hand-painted textile pattern -...

Peter Voulkos Large Tea Bowl (brown glaze) Stoneware and wood fired Circa mid-1990s 4.5 x 6 x 6 in Signed (bottom) COA provided Ref.: 924802-1004 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Melanie Sherman Cup with Interior II (Hand-Painted, Gold Luster, Stereo, Chair, Flowers) Porcelaneous Stoneware, Underglaze, Glaze, Porcelain Paint, Hand-made Vintage Decals, Gold Lu...

Title : Kneeling Beluga Materials : Stoneware, Glaze Date : 2017 Dimensions : 11"x 7"x 6" Description : A piece built in the round for the shelf or pedestal For the past several yea...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Warren MacKenzie Finger Swiped Shino Platter approx 3.5 x 19.75 x 19.75" Stoneware and glaze date unknown Possibly stamped under the glaze but cannot see the MA mark.

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

This small hand-built plate, 'White Stoneware (Face),' is an intimate and exciting example of the ceramic work of Estherly Allen. She was a student of George McNeil, an important Abs...

Glazed stoneware, wheel thrown with hand-built slabs, signed on the bottom by Dennis McLaughlin. 7' x 10" diameter McLaughlin’s artistic sensibilit...

'Bowl (Blue & White)' is a hand-thrown glazed stoneware bowl made by Mark Shekore, signed with his last name on the bottom of the piece. 3.75 x 8.75 in Mark Shekore attended the Un...