Sergio Bustamante

Large Papier Mâché Hippopotamus by Sergio Bustamante

1970

Eye catching whimsical lion sculpture or figure, hand carved, in a naive style, paint decorated and caught in mid roar.

Standout whimsical vintage life size hand carved jaguar decorated with its distinctive rosettes in a faux fierce expression.

Outrageous larger than life piece of Folk Art painstakingly composed of found objects such as sea shells, beads, toys, vintage jewelry buttons, and bottle caps (to name a few). There...

Amusing mixed metal pelican sculpture crafted in brass, copper, and silvered metal in a distinctive and captivating composition that combines technique ...

Stand out pair of mid century giraffes one standing and one grazing with a unique construction of shaved reed bundles and having carved wood heads,...

Three Vienna cast bronze and cold painted parakeets or birds perched on a brass Stand with a Classic turned base, in the manner of Franz Bergman.

Nikolai by Eric de Dormael, Galerie Negropontes in Paris, France - Papier mâché and patinated brass Éric de Dormael is an unconventional artist, his trajectory far from the beaten ...

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Son propos tire sa source d’oppositions entre visible et invisible, entre absence et présence, minutie et douceur, tout en observant les changements légers marqués par le temps : l...

dated, inscribed and signed ‘1987/ The Hand/ of/ Vitality/ Deborah/ Schneedbeli/ Morrell’ (on the reverse) bodycolour, card and paper mache 18 ⅞ x 12 ¾ in. (4...

Papier mâché, crepe paper, glue, rope