Arozarena De La Fuente

Fine Corals. Organic Sculpture. Natural Textures

2019

Hand made face sculpture done with ceramics and plaster in Mexico City. It was then carefully placed on the canvas for the addition of texture. Mexican Contemporary Art

"Sometimes you are drowning in your own words" - Steve Maraboli Inspired by Maraboli´s famous phrase, this piece was hand made in the heart of Mexico City. It transmits the weight o...

This beautiful 8 piece sculpture was all hand made in the heart of Mexico City, each bird is different and colors maintain a uniformed color palette. The two artists decided to mix n...

This work of art was done with 14,570 delicately placed pins upon hanging ropes. The concentration of pins is what makes the tiger appear. They are all firmly inserted with resin whi...

This work of art was done with 14,570 delicately placed pins upon hanging ropes. The concentration of pins is what makes the tiger appear. They are all firmly inserted with resin whi...

Mexican Contemporary Wall Art Handmade in the heart of Mexico City, this piece was inspired by Mahatma Gandhi´s famous quote. They can be placed on wall...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-discipli...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Artist: Jim Pallas (1941) Title: Blind Queen Year: 2018 Medium: Epoxy, ceramic, wood log Size: 11 x 5 x 5 inches Condition: Excellent Inscription: Signed an...

Artist: Jim Pallas (1941) Title: Heartfelt Cluster Fuck Year: 2019 Medium: Epoxy on ceramic Size: 4.75 x 4 x 4 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (1941-) American painter, draughtsman, sculptor, and printmaker. An innovator of technological art beginning in the early 1960s, Pallas drew inspiration from his upbringing in Detroit, Michigan where he had early exposure to the automobile industry, its materials and design. He is recognized for having employed electronics and early computer technology to enable his sculptures to respond to external stimuli. Often the circuit boards specifically designed for a particular piece were, themselves, drawings. Throughout his varied career, Pallas has created sculptures and reliefs employing a variety of subjects often imbuing the objects with humor and irony, yet connecting them to everyday life and experiences. Represented by the preeminent Allan Stone Gallery in New York for more than two decades, Pallas’s work has been exhibited in and collected by institutions nationwide including the Detroit Institute of Art, and Columbia University. In legacy, Jim Pallas’s artwork is allied with other innovative masters of the 1960s and 70s including Red Grooms, Larry Rivers, Andy Warhol, Claes Oldenburg, Yaakov Agam, Nam June Paik, Frieder Nake, Leslie Mezei, Georg Nees, A. Michael Noll...

Artist: Jim Pallas (1941) Title: Au Natural Cluster Fuck Year: 2019 Medium: Epoxy on ceramic Size: 2.5 x 7 x 5 inches Condition: Excellent Inscription: Signed and dated JIM PALLAS (1941-) American painter, draughtsman, sculptor, and printmaker. An innovator of technological art beginning in the early 1960s, Pallas drew inspiration from his upbringing in Detroit, Michigan where he had early exposure to the automobile industry, its materials and design. He is recognized for having employed electronics and early computer technology to enable his sculptures to respond to external stimuli. Often the circuit boards specifically designed for a particular piece were, themselves, drawings. Throughout his varied career, Pallas has created sculptures and reliefs employing a variety of subjects often imbuing the objects with humor and irony, yet connecting them to everyday life and experiences. Represented by the preeminent Allan Stone Gallery in New York for more than two decades, Pallas’s work has been exhibited in and collected by institutions nationwide including the Detroit Institute of Art, and Columbia University. In legacy, Jim Pallas’s artwork is allied with other innovative masters of the 1960s and 70s including Red Grooms, Larry Rivers, Andy Warhol, Claes Oldenburg, Yaakov Agam, Nam June Paik, Frieder Nake, Leslie Mezei, Georg Nees, A. Michael Noll...

Artist: Jim Pallas (1941) Title: Moon on Four Wheels Year: 2021 Medium: Glazed ceramic epoxy steel and copper Size: 9 x 10 x 5 inches Condition: Excellent Inscription: Signed and dat...